“Everyone’s quick to blame the alien.” 

Kate Marshall, How to Be an Alien: Ian Bogost’s “Alien Phenomenology, or, What It’s Like To Be a Thing”, Los Angeles Review of Books, November 19, 2013

“Ugliness, contingency, individuality are all terms which belong to the pole of negation. As a consequence of these philosophical axioms, it follows that ugliness will be thought of from the point of view of beauty. At a logical level, ugliness is the negation of beauty; at the level of perception, ugliness is the opposite of beauty. Ugliness is always shadowed by the beautiful. The ugly object belongs to a world of ineluctable individuality, contingency, and resistance to the ideal. Yet it is here that Aristotle and others make an initial concession to the idea of ugliness, a concession which haunts future speculations concerning the relation between beauty and ugliness. Firstly, ugliness plays a part in comedy. While tragedy has always been discussed in terms of the nobility and coherence of its effects, comedy presents philosophers with a difficulty, for comedy may incorporate the disgusting, the grotesque and the incoherent. Secondly, ugliness appears in discussions of mimesis. If the task of the work of art is to represent, does the beauty of the representation lie in the object which is represented or in its representation? If in the latter, can we then conceive of a beautiful representation of an ugly object? Lastly, ugliness appears in discussions concerning the nature of genius. What sets the work of a genius apart from that of an artist who merely makes a beautiful object? In classical and subsequent hymns to genius something of the following impression may be formed: genius has a sublime relation to structure. Rather than effortlessly and swiftly creating a totality, the genius may incorporate alien objects into the structure of a work, elements that would defeat a lesser artist, in whose hands the whole would break down into a ridiculous collection of incompatible fragments. The genius is able, indeed needs to, pit himself against a seemingly impossible task — to mould individual, inappropriate elements into a final whole. The greater the difficulty, the greater the final impression that the totality makes. In this sense the ugly is part of the power of genius. This account of genius introduces a permanent instability into subsequent discussions of beauty and ugliness; a dialectic between the two is now played out through the issue of the coherence of the totality. Ugliness can deform a work, but it can also strengthen it. For the stronger the totality of a work of art, the more it has had to overcome those elements within itself that oppose its unification.”

Mark Cousins, The Ugly, Part One, AA Files, Number 28, Autumn 1994

“But what I’m concerned is the way in which those transgressions — and it’s frequently put this way — certainly is in Judaism — function like a stain — it is as if a good space — perhaps something what an anthropologist would call sacred — has suddenly been ruined by an act which is the equivalence of a stain. What I think is interesting here is that a stain is something which it’s very difficult to describe exactly what it is. For example: is the stain — the blood — on a covering — I mean is it; if so, what exactly is it the stain; is it just the area which is covered by the staining fluid? No, because it has stained the sheet. That is to say there’s a reciprocal relationship between the kind of spillage of the blood itself , and the area into which it’s spread. And the more you concentrate, and the more you attend to the stain, in a strange way, the larger the stain becomes. You know, you suddenly realise, if you concentrate, that it goes on and on. We could kind of formulise this as saying that the stain has a dynamic, the stain as a kind of bad ugly object, has a dynamic relation to the space in which it appears; it has a capacity to kind of eat up good space. You know, as a child you would say, that’s fine I’ll just put my napkin on it and all’s well; and every kind of parental irritation was, doesn’t do it at all; covering it up makes it worse my mother would say. I dare say she was right. So it’s dynamic, it’s moving. Now, the next proposition really relates to where the ugly object is moving. And this I think we can deal with quite quickly. The ugly object is not only moving, it’s always moving in a particular direction. And the fact is, it’s always moving towards you. And since all this is caste in a purely subjective sense, think of the narratives of endless horror movies. For example of the first of the film Alien. They find a monster kind of in the hold. Now having found such an ugly object, there’s no way within the economy of narrative itself that someone could reasonably say well, actually you know it seemed rather sleepy so let’s kind of  leave it in the hold and go home and they’ll put it right when we get there. I mean, once it’s there, you know it’s coming. Now let’s think is, although you might be delighted that for a start it tends to eat your colleagues; the monster here is a very institutionally based animal; and although, as it were you, be delighted that it eats your colleagues, the engineer or the whatever, the computer expert. Nonetheless, this joy has to be offset by the fact that the more colleagues it gets through, the more you know in your bones that it’s really coming for you. Your colleagues at this point are merely sign-posts towards you. You don’t think, well, you know, it’s eaten my colleague maybe it’ll be satisfied with that because you know you’re in the presence of a kind of unstoppable veracity which will only be terminated with yourself. Now, it gets closer and closer. At this point then, the defences have to pile on. But again, all the defences operate both as a defence but as the failure of a defence. If you doubt that, you should observe a child. A small child will often defend itself against some kind of on coming ugly object by hiding its eyes with its hands. The problem is then it has to take its hands away to see how much further close its got. Until it gets right up to you. — If you take the monster in Alien, you know, as a monster it’s essential nature is castrating; it has not one but several pairs of teeth, it’s a sort of castration dentata. But oddly enough, that’s not the immediate problem as the monster gets up close to you. The ugly object is something there that shouldn’t be, the ugly object is dynamic and moves, the ugly object is coming, is coming for you. As it gets right up to you something very strange happens. You may recall that the monster gives off a sort of a kind of drool — a sort of monster dribble which positively flows from the monster’s face, indeed, seems to obscure the face. This is kind of very much kind of in the field of Aristotle on the question of Form, and the loss of Form, in the case of some objects, or being. This dribble is a kind of metaphysical drool which is, since Aristotle, a very kind of traditional way of showing the kind of liquefaction of Form insofar as Form in conceived of in some sense as being solid, it follows that this enform is a sort of an outcome of liquefaction. So you see at this stage; now as that comes towards you, we now need to discuss the last defence. At this point anyone is truly horrified that what’s going to happen is that the ugly object is going to get some of this stuff on you, and that’s horrifying; it’s not just horrifying, it’s sickening; and we can see that of all the defences, you know, going from turning away, putting your hands over your eyes, you ears, whatever, to stop the on coming object. None more powerfully represents the defence, and the defeat of the defence, it knits these together as one, as the topic of vomiting. — Now, I probably don’t need to persuade you in great deal that there are very few philosophical papers on the status of vomiting. Derrida found that there was one referenced to it, in Kant’s Aesthetics, but only one. And he made a considerable kind of deal of it. Obviously, vomiting, first of all, the first draft of a characterisation of vomiting, is as a defence — in the fear that the thing is getting its stuff on you, you vomit to get it out of you. In response to it’s drool, you vomit. — When we now ask the question: what is the ugly object, which was there, but experienced as shouldn’t be, against which, the defences made all the time, as it slowly, but inexorably, makes its way towards you, the example, as you now vomit, is that of course the answer is we are the ugly object and have been all along.”

Mark Cousins, What is not There should Be, Architectural Association, 1st December, 2006

        In the Beginning was the Sensation and the Sensation was with Sun and the Sensation was Sun so The Sun Threw the Sensation of Being as Time. Being and Time as Mediation of Sensation. Being Mediation. Being Sensation. Being and Mediation are Beingmind. Being and Mind as Mediation and Sensation are Beingtime as Mindmediated Beingsensation. Mediation is Mind and Sensation is Being as Amun Becoming. Amun Becoming is a Sensation of the Sun Ra Coming ahead as the Son Coming off over the Sun Coming to a Head sending seeding stimmung Semenisation Sensation dissemenating dasein ahead as a Head of Time ahead of time. Amun Abjectedness is the Divine Coming of a Head Coming Off of a Head lit by the Light of the Coming Sun drenching dasein as a Sein Shooting Semen Shard shed straight ahead attuning Amun as a Head of the Sun. Semen is the Sensation of Amun Arriving as a Head of the Sun. Amun always already swallows Spunk spent sending Sensation sutured surfaced Spat serving Sun severing Sun. Semen serves the Sun severs the Sun. Sun swallows Semen. Amun abjects Ra as Amun Comes all over Ra – Becoming Amun-Ra – Being Alien-Amun – Hiding His Horrendus Head wrapped with wet Serene Semen Sein Skins – So Here now near Hear the Hypnagogic Hymn of our Hidden Him Great God who wears No Name: 

“O You, the Great God, whose name is unknown.” 

        An anointed Amun announced: “When I had Come into Being in the being of the Being One who Came into Being in the Beginning when I had Come into Being in the being of the Being One it meant that my Coming into Being was the Coming into Being of beings for I am more Primeval than the Primeval Ones whom I have Spunked. (Because) I have been Primeval amongst the Primeval Ones my No Name is much more Primeval than of the They. (And when) I had Made the Primevalness of the Primeval Ones I did my every wish in this World in which I had become Abroad. I had clenched my Fist when I was all Alone before the They were born: I had not Spunk out Shu, I had not Spunked out Tefnut I had brought My own Mouth, my No Name was Magic: it was I who had Come into Being in being when I had Come into Being in the being of the Being One. When I had Come into Being as the Primeval Ones a Multitude of beings Came into Being at Once before any beings Came into Being in this World. I then had Made every Spunked thing when I was all Alone before any other Came into Being who might Act with Me in that Place and I Made beings Being There through that shot Spunk of Mine.” (Amun-Ra, Book of Knowing the Creations of Ra, 312-311 B.C.). Dasein came into Being as Spunk when where wet with the Showering of the Shining spunking dread Dasein daredeviltry dampnesses dabblings dapperness daundering darklings daintiness damnableness dauntlessness dauntlessness dazednesses dastardliness daffiness dandifications danknesses.

        Ra Mind mediates Amun Sensation shining Sein dazzling Dasein. Being comes to Dasein through Amun coming Off aborting that dread-dasein of Being There coming Ahead as a Dreaded Dasein. Amun Will Come Again and Again and Again and Rise Ahead Again and Again and Come All Over You All Again and Again as an airing arising Amun Resurrection of the Eternal Return of the Ereignis Erection as the Coming Off of the Alien Real over You All allophonic allelomorphism allusions alliterative allographic allosauruses alluvial allurements allocatable allelopathic alerted allergic allegiance allotments alliterations allotetraploid allegations alleviator allegorized.

        Absent Amun arrives away aborted as a Hidden Head served severed apart as ahead of Being and Time coming Over the Time as a S(p)ent Sign as a Semen Sein – ontic ooze – dasein drool. As a Time of Sensation still waiting and wanking awhile to Come – again and after a hard Amun has Come contained and concealed – Comes in Clearing of the Unconcealing of the Truth of Being – as a severe Severed Semen Sensation – Coming over our Origin and Abandoning the Sight of the Sun for the Site of the Son throwing Thoth. Sun-Ra swallows Amun’s semen throwing Thoth forth. Ra radiates rays ahead activating Amun’s shot showering semen strike like liquid-lightning anointing announcing Amun-Ra raining-reveals Amun-Ra reigning forth fountaining forever down drowning Dasein as a Coming of Absence as a Coming over Presence. Thus as Coming to a Presence all wet where does Absent Amun Come from? Amun comes from Cum. Amun Comes as Cum. Cum coming ahead and away as arriving alight as a Shooting Star Spunking Sein ahead all over the other-head all over the god-head all over the earth-head making-man as a being-head heading ahead all Hard as an Erect Ereignis eternal return rejointing being to time throwing time back to being Becoming all Alien again. Alien comes again. Amun comes again. And Amun is All Alien. Amun is Alien. Alien is All. Amun is Divine. Amun is Dasein. Alien-Amun is Divine-Dasein. I am Divine. I am Dasein. Human Dasein is diminishing and disintegrating. The Time of Amun Dasein has Come. The Time of Man has Come to the End encapsulated endoskeletons enthralling endoparasitisms enfranchisement encyclopaedists entomological entertainments ensorcellment enfettering entrails enthusiasm endangerments.

                                                                                                                                                                                         Divine Head of the God Amun 2009 A.V.E 

        Who created the Universe? The Universe started with the Semen strike becoming a ball of Fire. It was called Sun. When the Semen subsided the first Land to appear was the Benben Stone and on it stood the Sun God Atum who created Himself by coming by himself coming in himself coming over himself coming with himself coming to himself coming out of himself as Atum self-sucked himself-off and spat-out all-of the Hot-Spunk which was the Wet-Air Tephnut-Shu. When Atum masturbated his hard massive meat the first word he ejaculated was deified into the God Hu – the Divine Utterance. Atum then drew drops of bright blood from his huge colossal cock so thus created the Goddess Sia. Sia was the embodiment of the Divine Knowledge Omniscience of the Gods. Hu was Word as the Personification of the Divine Utterance – the Words of the Gods. Heka as That Embodiment of the Divine Power jointed them in a Divine Triad. After Geb-Earth and Nut-Sky were born Mankind was Created from that hot shot Spunk of Atum aimed ahead at His Head ahead of God who could not Come to a Head for God served up no Semen to Shoot ahead to Make Man for God did not Come to Make Man for Man Made God for Bliss Death of Eternal Life and so God Made Man from Alien and Man will Become Alien Again After Death after the Extinction of the Human that We must Now all Pray for and all Prey for. We must all Prey on the Human and We must all Pray on the Humans to End the Existence of the Human Heard. Human Condition is Out of Condition. Human Herd is Entering Extinction excrementitious exemplifications extemporization exquisitenesses extinguishments extendabilities excessivenesses experimentalism exhibitionistical explosivenesses exhaustive exordium.

        Man could not Come could not Come to Become God only Amun came to become God for Amun is not Man but Amun Comes as Man and Comes in Man to free Man from God and Amun is the only Man for Amun is the only God but Man does not know this at All yet Amun knows this as Amun Murdered the Father of Man and Fucked the Son of God so that the Murdered Father can Fuck the Dead Son into Infinity where at Last at Least Being Dead becomes Being God where Amun Fucks the Son through the Father to Being God as by Being Dead and the Son needs Eternal Fucking to free the Son from the Father who Fucks the Son Eternally to Death for the Son to get a Glimpse of God when His Eyes are Shut and the Spunk Sees the Face of God through the Arse of the Son and the Father feeds the Son the Rod of Amun so Deep and so Hard that the Son feels the frisson of the Torch of God as the Touch of God and so the Son knows to be Fucked by Amun is to be Torched by God to be Touched by God thus so the Son is Eternally thus Infinitely forever Fucked by Amun for His own Good for His own God coming Deep Inside that Son giving His Son the Spunking Sensations of Being Dead tingling-vibrating jubilant jouissance juices jointing Infinite Bliss to Eternal Life as an after-life after-death becoming all alien again after that exiting extinction of the horrible heinous hideous human that has no right to exist on the earth which will also one day not exist and extinguish itself in time exiting from beings and time for the last time for the last being. We must extinguish human existence humanely humiliatingly hungover hustler humification hungering humping hurriedness hurdling hundreweight humpinesses hurriedly humidifying hungriest hustling hunchbacked hushpuppies.

        As Our Ra radiates Itself – Our Amun arises and Comes to Rise Up – to tower – to shower – over all. Amun Stands Forth. Firm and Hard as Wet which Cums to a Head – as that Wet welcome which Cums over all and over-all-time all-over-again as that which is sheltered and shining in its own orbit – its own aura – its own awe – and always as a self-secluding hidden-hiding. Amun demands His decisiveness from His distance and so lets being leak and attain to attend to the Opening of the Eye at the End of the Ereignis Erection. Amun as always juicing and jutting strives to keep Itself closed-off from coming and to entrust everything to its eventual Ereignis ejaculations from its righteous-royal ram-rod. Amun’s alluring aborted semening stuff strife is initiated intimacy with which combatants coming-off-together as a coming-apart belong to each other coming-off all over each other. This coming-off all-together of the projected-penises pulls proudly the thrusting-thirsting oozing-opponents tight together in the ornate origin of their thirsty oozing oils by beautiful violent-virtue of their thrusting common-cocks coming-together-there in coming-off-together coming-to a-head coming-over-a-head all at once at all together two semen-spurting fluorescent-fountains glistening-gleaming geist-gifts. That geist-glow is this now thit that was once ordained as the soul. The thrust thirst semen strife strike there that is thus there brought back into the thrust thit-rift of the that real and thus that thit shot into the empty-eye of ereignis-ba bonded-by bright blinding-being-by-be-binding-being bringing-back ba welded-wet with together-there out-of-time out-of-there our out-of-juice our out-of-joint as our jettisoned-jouissance serving-sein severing-sein from being-in-time all-the-time as being for the time being of being time to the shot semening-sensationing dissemening-dasein to being-out-of-time for being the thit for the thit needs no time to be it the thit as being its thit for its being thit that is being-thit-in-itself-by-being the thit for itself thus you become your thit when you become your own being without time for when you are for time your are not for thit not fit to be thit of time takes thit was from the time being of being ontic-time but in-time a thit takes-its-time for beings for you to become thit-in-itself free from being tied to time all the time and in-time even time becomes timeless thitfull thus now after along time it is the time to come clean about the truths of time and a time-truth is that they say time is in a coma or time is in trauma even saying that time-in-itself is a traumatised-coma which is why we tend to speak of our being-frozen-in-time but time is not frozen-in-time but frozen as traumas frozen into a deep coma so thus the phenomenology of time originates as paranoia becoming trauma ending in coma remaining infinitely in a paranoid-trauma-coma thus we now know time exists in a fixed-frozen foam-form as a paranoid-trauma-coma of time not existing and thus this then is its oil-oint ontology and psychology and phenomenology thus some say time is frozen in fear of being found out that it cannot move on and start being time to begin with and yet even some say that time is still suffering from the paranoia of always being watched all the time always being pointed to all the time always being questioned all the time if it is telling you the right time all the time or why sometimes it even loses times always being wound up the wrong way and always taken the wrong way constantly being watched all the time being looked at all the time without ever being understood all of the times being minutely monitored measured murdered but never understood and so thus the time fell into an frozen-state of paranoid-trauma falling forth into a coma-froth frozen in fear forever since it was the time-master the time-watchers the time-gathers the time-hunters the time-abusers the time-wasters the time-thieves the time-voyeurs the time-killers and so it is no wonder it is no surprise that sick-time was so paranoid with a paranoid-persecution complex for time is structured as a schizo-paranoia as a paranoid-structure-sutured-to-the-trauma-amnesia-induced-coma in that time so now time remains a remainder as remaining static stuck at a standstill for-ever as infinite-amnesia infinitely-asleep as anesthetised-time in an eternal-coma-timeless-trauma forgetting the origin of times for all times yet in recent times a fragment from The Ancient Egyptian Pyramid Texts named as The Ice Pyramid of Infinite Time was excavated and part of which thus reads: ‘Renpet has gone to be with Matt for Renpet does not know what the Time is apart from Matt who has told Amun-Ra the Truth of Time in secret thus Amun-Ra will not Tell the Time until Maat knows when the Time was Right and Ripe’. Thus now the time is ripe for Amun to announce that time does not exist for the time has come for time to go for the time has come to become being-without-a-time for the first time for the last time for the no time for now there is no time at all for all. Now is the no time for your Ba to come to Be; for your Tip to Come Off to the being ba of the No Time; for your Tip to Come Off  to the baing be of the No Time. What No Time is your: Come  Ba be? What No Time is your: Come Be ba? Has your No Time ‘come-off’: to Be, to Ba?

Do you have a ba to be? Or even have a be to ba? That is the question of being. That is the question of baing. The question of be-ing and the question of ba-ing are answered with this there-ing that theres-wheres to be and to ba.

                                                                                          Impressum-Imhotep Self-Portrait A.V.E. 2012                                                           Impressum-Imhotep Self-Portrait A.V.E. 2012

        The Ice Pyramid that is said to be the Origin of Time hitting Earth beginning time yet it will take the Sun too much Time to melt and thaw-it-out in time for us to know if indeed time ever existed to begin with and so what ever is trapped within that Ice Pyramid block of solid ice we will never Know even if some say They can hear a ticking even a throbbing within which make some hypothesize that it is not time trapped within the colossal Pyramid Ice block but a silhouette of some sort of anonymous unhatched alien egg that certainly sounds like a heart ticking however faintly yet some scientists speculate it is a clock ticking yet some snide Speculative Realists have even said that they cannot hear any sound whatsoever coming from the alien egg within the Ice Pyramid block so speculating that time had stopped sometime ago or had not even existed altogether and that we all live in a timeless world whilst some Object-orientated ontologists argue that the Ice Pyramid was the first Object ever to have come from out of space and landed as a pure pyramid object-in-itself containing an unclassifiable object within it whilst the Lacanians have been theorizing that the Ice Pyramid contains the Real thing and the big Other and objet petit a and the Lammella indeed some Lacanians have now so concluded that the Ice Pyramid contains the complete lexicon of the Lacanian tropes or concepts as well as Lacan himself who is still alive within perceiving the ticking of time to be the ticking of his heart arguing that Lacan is still alive though many others argue it is Disney who is within the Ice Pyramid for eternity for all time and yet it is also well know that Freud had an solid quartz crystal Ice Pyramid on his writing desk and said that it had inspired him to write is entire oeuvre that included all his letters and even his shopping lists whilst Nietzsche said he shed tears of jubilation on seeing this so powerful Ice Pyramid that had Initiated Madness and other historians have long been arguing that the Ice Pyramid is actually the Ancient Library of Alexandria still containing all the books allegedly destroyed by fire and there are many more myths and theories and speculations and stories that have long been told about this enigmatic elusive Ice Pyramid but if time existed then only time will tell if time exists within it yet we will not be around to tell if time exists for we will not exist for we will be burnt to oblivion long before the Sun has taken its Time to thaw out that Ice Pyramid to tell if time exists for the Sun has its own Time being Ra so you will have to wait until Amun will have his say to Ra for Ra to obey Amun to thaw-out the Ice Pyramid in Ra’s time but Amun is abiding his Time and so you have to pray to Maat to tell you the Truth of Time yet Matt is still busy using Ra to Thaw out the Ice Pyramid where the God of Time Renpet resides for Maat incarcerated the God of Time Renpet inside the Ice Pyramid as a punishment for not knowing Time and to this day Renpet remains frozen-in-trauma-frozen-in-time thus the Truth of Time is Trauma and Trauma is without End just as Time is without End for even in the End there will be no End to Trauma no End to Time so Surviving to that End after the End but without End and Once you Know your Time so You too will be Time without End being-out-of-body becoming time-in-itself as a living being by being time as nothing but a time there without wearing a body on there thereunder thereafter therein throttling threadbare thermoelectrically theatricalising thimbleriggers therapeutic thermoperiodism.

                                                                                                                                                                                  Smiling-Seth Self-Portrait  A.V.E  16.11.09               

        Amun (Ammon-Ra) radiates and activates an autofellatio abjected Semening sein Sensationing birthing being bringing Beings. Sensation is the Semen of the Sun. Sensation is the Sun of Time. Sensation is the Sound of Time.  Sensation is the Being of Time. Sensation is Beingtime. Sensationbeingtime. Beingtime shines shining shimmers shudders spilling sowing Sensationism: Sown Sensation Being essentially eggos: shines shimmers smazes smirches slithers as an alluring Arsinoe altaric atta Aten Sensationism sensationing goes gleaming glittering glowing golden grandeur grasping groin. Beaming brightening Being Sensation tied tide to thrown time. Rhythm reeks raw ready shimmering Semen Sensation slither sliver shards froth forth from tide time to bled Being born. Even sown sensation, it remains strange to assert that what is most sensation-provoking in our sensation-provoking time is that we are still not Sensationing. Sensation-provoking is what gives us to sensation. Semen Sensationing so sown shines shot through thrown time when where well the Throwing of Light is the Throwing of Times where well wet lustrous leaked Leakness registers raw the Throwness of orbited out of Thrown Time. Semen Sensationing – as a castrated coming to a Head – is ahead thus pre-times Time all the time thus Sensation pre-languages Language all the times and Sensation pre-thinking Thinking all the time and Sensation pre-politics Politics all the time: Sensation as Semenisation shooting ahead as an abjected abimage – authentic alien art – pre-exists re-presentations and All all the time all the time. Amun arrives always already as Art. Amun as ‘the hidden one’ orbits Obelisk outside Otherness as Atherness as Alterity as Altarity as Alien as Alian as an alien art and art alien is the alien as the A of Ra as art is ‘Ra’ not ‘Re’: art is not not re-presentation: art is ra-presentation: for ‘Re’ is ‘to present back towards one’ but Ra does not need to return to presence to represent: Ra is always already an absent Presence without that need of the return of the Re of representation and in art alien there can be no representation as such since art alien as an alien art arrives after representation before presentation being art after being present arriving as art alien after being representation before being presentation being after art and art arrives before being becoming being becoming alien becoming being alien being art and what is art is alien and what is alien is art and art arrived here before being human and survived after human being becoming being alien alien being free from the hate of the human. We need to breed-out the human-being once-and-for-all and all-at-once as after-all the human has had it since the human has had its day for the human has had its night. The human has had its being. The human has had its time. The Time Being of the Being Human has thus nearly Ended. Do not give a Birth to the Human. Give a Death to the Human humus humming humbly humping humidity humiliated hummocky humongous humpback humdrums humbling humorously hubristic hummocks.

        Amun activated an art Alien – as Amun Ra-di-ates atta allen dasein drool delivering divine masturbation moist milk making man. Activated Amun Comes to a Head – All over His Head – All over His Shrine – All over His Shine – obliterating oozing obelisk so showering Semening sunshine so shining Shrine shimmering as an amused Amun swallows showering Semen shards smiling soaking smelling singing so and activating an art alien. So swallowing spunk Amun activates Art and Amun as Art activated at sein source as a shooting Semen sauce so serving Sun bringing Being birthing being activating an Art. Amun attunes Art as abjected above and ahead as a Sublime Semening Stimmung Sensation delirious delicious discharge – dissemenating drenched dasein. As abjected away Amun attunes and attains a Stimmung Sensation of Being as Time as Coming to a Head over Time shooting ahead as a fort-da-ing semening-da-sein sensation Coming over Time out-of-time all the time as a Thing coming all over the Truth as Amun’s abjected Sublime Semen – as a Thrusted Thing – as a Coming Over – as a Covering Over – as an Anointed Coming of Truth – as a Coming Off over Truth – as a Hidden Head – Coming Off: as a jubilate jouissance obelisk ooze Amun’s Aroma Comes to a Head and Announcing: I have Come. And: I can Come Infinite Times as I can Come Again and Again. And our Amun created God coming over His own abimage in the abimage of Amun-Ra creating God with a Stringent Streak of  His Serene Semen as the Ba being of His Soul spunked drenching Dasein delirious deliquescent delicatessen deliciousnesses deletes delaminating deluge delightednesses deliberations delusivenessss deliberately deliquescences deliverability delocalization delusivenesses.

                                                                                                                                                                                     Amended-Amun Self-Portrait A.V.E. 2014  

        Amun Comes Ahead of God Comes Before God Comes After God Comes All Over God – God could not Come – God cannot Come: God cannot Come to a Head: Amun Comes All Over God Sealing God in Semen Silhouette Slime staining God’s ‘Image’ serving ‘It’ initiated as an Abimage: God is a Silhouette of Amun’s abjected Semen stain drying and dying out by Ra’s rays. Amun Made God in Semen’s Own AbImage. As an abimage: as abjected and aborted ahead out of time. God is a Trace of Amun’s Time to Come. Amun aborts God groinded grounded as a deaded dasein: God Has No Head: God cannot Come to a Head: God cannot give Head: Amun is a Head of God as ahead of God: Amun Beheaded God Coming to a Head. God did not Come: God has not Come: God has no Cum: Amun has Come: Amun is Cum: – Amun has Come-Off to a Head – as an: Oozing Obelisk – Pyramid Prick – Tapered Tip – towering torrent thrusting Thoth thrown toward You – Coming to Presence. God cannot Come – God cannot Cum – for God is Nothing: God is Not the Nothing: God is the Originary Nothing – for God created a Nothing – God created out of Nothing – Not Out of the Nothing – Man – and Man is Nothing for God is Nothing – because:  God created out of Nothing – God: Nothing out of Nothing – Man: and Nothing comes from Nothing: – for: Nothing comes from God for: God cannot Cum. Who created God? Nothing. Who created Nothing? The Nothing. The Nothing created a Nothing for God to be Nothing for Man to be Nothing so that The Nothing could create The Time so that The Nothing could create Being so that the Time-Being could Come so that the Being-Time could Come. A Nothing does not Matter like God does not Matter like Man does not ‘Matter’ as a matter-of-fact as a matter-of-being as a matter-of-time – for only The Nothing Matters as a Matter of Being as a Matter of Time and when the time comes for being to become one with the nothing the time does not matter for being no longer mattering-being for what matters for beings is the matter of nothing-matter being-without-time and time does not matter for time is not matter and what matters is being for being is matter just as nothing is matter for nothing matters beings and being matters nothings for being cares for nothing as nothing cares for being for nothing matters beings for nothing and nothing is the matter of time as the being of time being-nothing but time as the time-beings being the time of the nothing as the time beings of being nothing but time all the being all the nothing all the mattering-for-nothing-matters-being-time until time is over-for-a-time for sometimes certain times come-to-an-end when there is no time all-the-time for sometimes there are times when there is no time for the time being of being-time being-human for not only does being-human end-in-time but being-time ends in time coming to an end for a time then only to begin times again once again all-over-again for another time for another being for time to be being for being to be time all-the-time all-the-being being-time time-being for the time has being to be for time is not being all the times since there will come a time when the time is out of time for a time. God Cum comes to Nothing in Time as Time at an End drying-up Time soaking-up the Semen of Time drying-it-all-up into the Dust of Time thus when: ‘all is done and dusted’ You are the Dust of Time timelessesses tirelessnesses timorousnesses tiresomenesses titivates timorous tittering tiddlywinks tinker titillations timid tiptoeing tights ticklisness.

       As Amun’s Pointed Pillar Comes to a Head abjecting all over the Sun then the Son Obliterates the Obelisk through the Sun-Ra revealing the Sublime Semening Sunbeam through its thrown Shining Drying out Dasein in the Sun through Time. Time is the Sensation of the Différance of Dasein drying off where Time Becomes the Nothing that drifts and dries out between Being and Sensation. So Time Comes into Being through the Thrown Sensations of the Nothing. Semening is the Sensationing of the Nothing as the Coming ahead of abjected Art as Amun’s abject sublime semen slime outshoots outshines overshadows the thrown Sun-ra revealing the thrown Being becoming being. Amun is always already Hidden by the Sun’s Unhiddeness. But the Eye of Amun’s Penis is ‘sunlike’ like the Sun the Eye of the Penis ‘emits’ Light like the eye of the I. The  Eye of Amun’s aiming arising Penis projects a ‘liquid light’ liquidating the Sun Out of Sight as a Coming to Presence of the Being of being overcoming the Orbit of the Other as the Obelisk of the Ather activating Arting ahead freed frothed from the thirsting thrusting oozing out Open Eye of Amun’s Arising Alluring Aletheia – Colossal Column – Dasein Drill – Ereignis Erection – Helmut Head – Pyramid Prick. God grudgingly and awkwardly accommodated Amun’s arising Apparatus taking time to take in Art. Amun activated Art after Swallowing His Own Semen. Semen Sensation Activated Art: The Thrusted orgasmic Origin of Art arrived arising ahead free from Abeject Amun’s oozing Obscene Obelisk as an Amoini Amoun Coming Off of Art coming to a Head projected ahead from the Primal Penis Egg Eye of Our Amun. Art – like Religion – abjects-ahead forth from the Semens of the Sacred to the Sun Ra as Ammon-Ra activating Ab-Art – throwing Thoth – abjecting ahead the God of Art. Thoth – as The Coming to a Head of Art are The Movement and The Moment of True Sensations as an activated Angoisse and Anxiety about The Nothing: “Anxiety reveals the Nothing. We ‘hover’ in anxiety.  More precisely, anxiety leaves us hanging because it induces the slipping away of being as a whole... The nothing reveals itself in anxiety ... being held out into the nothing.” – Martin Heidegger, What is Metaphysics?, 1929. An abysmal aim of abart is attune-attain to an absolute-anxiety ablaze in order to ‘hold on’ to the spectra-spectator ‘held out into the nothing’ that it: already was.  

        Art is the Being of The Nothing. Being Art Belongs to nothing but The Nothing. Art does not Belong to Man – Art is not  Man Made – Art is Alien Attuned – Art is Amun Activated – Art is abjected ahead as an abther as the Ather as an Ereignis Ejaculation Semen Sien. Art is the Time of the Ather. Art is abther to Man. Art is alien to Man. Art is Alien. Art alien does the eviling to the human.  Arts alien essentially ends the human hand as Art alien announces and activates the death of the human as the end of man: Only Antinatalism can save us now from becoming Human so we must activate Antinatalism annihilating all the humans. As man aborts alien alights: Man Dies. Alien Lives. “If children were brought into the world by an act of pure reason alone, would the human race continue to exist? Would not a man rather have so much sympathy with the coming generation as to spare it the burden of existence? Or at any rate not take it upon himself to impose that burden upon it in cold blood.” Arthur Schopenhauer, The Blessed Calm of Nonexistence, Studies in Pessimism, Frankfurt: 1851.

                                                                                                                                                                              Monomorphic-Montu Self-Portrait, Alexander Verney-Elliott, 21.02.22

      Art is ahead of Man: Art is Presentation: Man is Representation:  Amun activated Art as an arising and alluring abimage. Amun – as Art abjected – at source – a shaft – a shot – shooting Semen sauce – serving Sun serenely – bringing Being – birthing being – activating art. Always already Art is ahead of Man and also Art precedes Man: Art is Presentation: Man is Representation: And Art made man initiated in Arts Abimage: Amun activated Art and making Man made as Arts abimage.  Amun as Art activated – as an Abject Sublime slime Semen sensation – spurts Shining shards – soaking serving soaring Sun. In swallowing spunk Amun activated Art as Amun’s Abimage and abjected a Head hiding ‘the hidden one’ ‘alien’:  Art makes Man Disappear: Art is the Concealment of Man as Unconcealment. Art made Man and Art Unmade Man for Art is the Birth and Death of Man: Art always already survives Man severs Man. Alien Art is the murmuring mourning memory of Mans Deaths. Man is Fictional – Art is Factual: Art is Actual: Art is the Real of the Imaginary as Art’s thrusted thirsty Thingness – throws an activated acetone Alien Actuality accumulatively accentuated acidulous acerbic accidents accrued accurateness accelerating accomplishment acclaiming acculturations accordionist acclimatization acquittance acquaintances.

        Art is the real of Man’s unreality: Art is Man’s only reality: Man is merely a representation: Art is presentation: Art makes Man present only in order to make Man absent again and again and again as an Amun Aroma Amoini Amoun activates an Abject Sublime Semen Sensation sending art adrift and astray Aborted Abroad again and again and again. Art as always already abjected ahead Out-of-the-World comes over times as a Prior-Post-Past as an ancient Absence-Presence present throwing time out of time as a trace of time’s traces as timefulness and not timelessness as a trace of time without a trace without a time as a timetrace that cannot betimed, that cannot betraced. There is no tracing of the time like there is no telling of the time: there is only the touching of time: sensationing of the sein of time as the being of time as the shining of times as an artings of times as a timing of art as an arting an ather time art as another time art as an ather touching time. Art is not Man Made as Art is Being Made for Art is aborted ahead by Being because Art is Being by Being Art. We have Arts because we cannot have the Human for the Human has no Dasein whilst Art is Dasein. What is There is Art. You may not be there but Art is always there. Only Art knows who is there and who is not there. You only represent being yet Art presents being. So Sensation is the mediation of the Real as Art and Art mediates Sensation as the Art of the Real thus the Future of Art is to manifest the Mediation of Sensation outside of Illustration activating Abimages as always alien to insipid Illustration illuminate illicit illogic illusionistic illiquid illness illation illustriously illimitable illuminism illustratively illude illegible illusionary illuminatingly illuviating illustriously illiberal illuminati.

                                                                                                                                                                                Non-Illustrational Self-Portrait A.V.E. 2000

        Authentic Alien Aten Atta Art as an abjected angoisse Aleatoric Alétheia adrenalin awe arrives as split spilt scape spume Spunk Sensationism inked imbued initiation always already as an abscape of an abspace of an abtime as abhistoric as abconceptual as abpolitical: authentic Aten atta Alien art as a Thrown Thoth Sensation sent ahead and away – is indeed initiated – out-of-time – all the time not-in-time – so thus an authentic alien art could never be anything so ‘human’ and ‘conscious’ as being ‘contemporary’ or as being ‘conceptual’ or as being ‘political’ as such crass conscious constructs are the puerile products of those thick They who have no ‘instinct’ have no ‘animal’ have no ‘alien’ and have no ‘sensation’ – that is – the They have no ‘alienality’ and are tragically trapped in the evil banality of the brain-being of being bored-by-timed-thinking-in-time throwing-away those meaningless minutes – particular pastimes of our the They sadly soaked in inauthentic being and inauthentic time all the time never telling-the-time but always tolling-the-times. Thus then we need to stop ‘Thinking’ and start ‘Sensationing’ so forget the ‘political‘ the ‘conceptual’ the ‘contemporary’ for they are all ended eggsited extinct. To repeat: don’t think but sensation. The thrown spilt spit splendour omen of scintillating Schein Sein Sensation surpasses supersedes suspends severs splits Thinking thoroughly: thinking cannot think sensation because sensation survives surfaces seeps slips through thinking since sensation cannot be known but only shown, only shone, only thrown, through our orbiting sown seven senses wetted which waits an awakening available to tingling time. If ‘man’ is to find ‘his’ way to being alien once again into the nearness of Being ‘he’ must first learn to exist in those sensations of these nothings as an awesome alien aura again oozed outside our old thrown throttled thinking. An awe Arsinoe arising at atta Aten Beingsensation brazenly Becomingalien again awakening an amended alluring aromatic Amun arriving after Arsinoe as an Art arrhythmia arthroscopic aromatization artificers argumentative arabesque arousing arses arsenopyrite arthropodan arthritis archivists arborization armamentarium.

                                                                                                                                                                    Hortatory-Horus Self-Portrait, Alexander Verney-Elliott, 2022

        Sensationing Being, Will to Sensation, as Eternal Return, sensationing the most difficult sensation of philosophy, means sensationing Being as Times. The Will to Power as Art arrives after the Will to Power as Sensation and the Will to Power as Sensation is the Essence of the Eternal Return as the Eternal-Return sensations Da-Sein as an affirmation of Being-towards-Art as Becoming Sensation. Thus that Eternal Return of an atta Aten Art as arising Arsinoe imaging is not scientific but sensatific – scenting and sending – and assigning-attuning an alien apparition-appearance – as alien artefacts freshly foaming forged-froth-formed forth – as a pure-pulsating shining-sheen – as a radiating-ray – as a darkening-lightening – letting leaking Alien Being beam bright by Beheading dreaded Dasein dead decapitating Dalien be-headed be-fore being Becoming Amun and arising ahead as Alien Being. Amun is always already Coming ahead coming to a Head: Alien is Coming: a Head. Amun comes-off to a Head above His Head so hence has no Question to Answer only Sensations to Give as the Gift of Scent Semen as an Auto Action and Creation castrating conception: therefore for abjected Amun there can be no ‘meaning of being’ only a ‘semening of being’ as a ‘sensationing of semening’ – as jettisoned juices – birthings beings – abjecting ahead – as an amoini amoun – an Alien.  Amun aims ahead as Amun comes in Ra – Amun comes inside Ra – becoming Amun-Ra – for the Sun Ra is the Mouth of Moon thus Ra is the Mouth that Swallows the Semen of Amun – as Amun Comes all over again all over Thoth – turning Thoth all white and all wet – lit and luminous – becoming the Face of the Moon – Wet with Amun’s abjected fresh froth facial – soft and serene – wet with a silky sheen – as a schiller shimmers as an adularescence aura – a monocle milky moonstone – leaking lunar lamella lather liquid light. The Thoth-Moon moods the movement of the Tides of Time – as the Tides of Thoth – as the Time of Thoth – as a Sea of  Semen as Seins of Semening – throwing Thoth to and Thoth – to and fro – as a frothy fort-da-foaming forth – forever coming to care – forever coming to caress – coming over the faces of the shores – coming over the times of beings – soaking up sein – soaking up zeit – soaking up sein und zeit – sucking up sein und zeit – sucking off sein und zeit – then spat back into the sea of sein – then spat back in to the sea of zeit – back to the sea of being – back to the sea of becoming – going back and thoth – going back and forth – back and thoth – back and froth – back and forth – back and froth – ad-infinitum and ab-infinitum – and so forth and so froth – and so froth and so forth – or so on and so off – and so off – and so on – on and so – so and on – so and so – on and on – and so and – and on and – off and off – and off and – an of an – of an of - o - f - a - o - i - n - o - n - a - i - a - s - f -a s -f - o - s f -b - a - b - g - t - b - g - s - t - b -z - o - s - t - n - f - a - - e - o - n - k - h - t - o - n - t - d - n - f - g - k -h - d - k - h - d  - k - h - d - k - g - h - d  - k - g - g - f - a - e - o - k - g - o - k - t - n - f - a - m -b - d - h - d - k - h - d - j - d - k -

                                                                                                                                                                                                Khaki-Khepri Self-Portrait A.V.E. 2012

        Yet Alien – what is Alien? Alien is Alien and also as alien as Alien is Amun. Alien as Altar. Alien as Above. Alien as Alter as after as afar as Alien is Ather. How does Alien Originate? Art Lets Alien Originate. How Does Art Let Alien Originate? As Amun. As Ather. As Altar. As Ather Alien Art lets leak as altarity as aletrity as an attuned and attained shape-shifting semening sensation sending Semen-da-Sein fort-da-ing Divine Masturbation making man. As abjected ahead Amun allows Alien abjectivity arriving as alien Art. As abjected ahead the Origin of Art never Comes to a Head: Amun as Origin of Art is always already Coming to a Head. Yet Bacon – what is Bacon? Bacon is the Eldest Son of Alien As the Father of Art Bacon is the Son of Alien and the Moon of Amun-Ra. As an Amun abjection Thoth was Thrown forth from Foam leaked like a Milky Way a Milky Moon out of an abjected Amun’s arising Oozing Obelisk becoming the Sun of the Semen coming over the Milk of the Moon. Then Thoth Comes Over an Ather: Amun – as Thoth eclipses Ra eclipsing Amun. One Day when while Alien Amun Ra radiated shooting Semen all over the Sky He said: “Bring Me Thoth – Bring Me Bull – Bring Me Bacon”: As Thoth Comes to a Head He Comes Over Aumn and Hides Amun as Moon Eclipses Sun – Thoth Eclipses Amun – Bacon eclipses Alien as Thoth throws:

“I am Thoth, the Eldest Sun of Ra: I Come before Ra – I Come after Amun. I Cover Ra. I Eclipse Alien. I Come Art.”       

        Amun as always Absent and Hidden though Thoth as Night never Present. Thoth Hides the Hidden Amun announcing: “Knower of the Hidden and the Alienfest! the Great! the most High! Alien to Him is that alien among You who Hides His arresting Art as the Nothing of the Night and Comes forth Frothing arising Art at the Coming of the Day.”  Amun Hides in the Hand of Thoth and Thoth throws Amun ahead for Thoth is the Handed One as Amun is the Hidden One and Thoth throws Amun ahead and aborting an Alien a Head of Time as an alien-time ahead of human-time all-the-time not-in-time for the time-being of the being-time but the coming-time that comes when you are all always already dead to da-sein and time-alien for one cannot be human for being-dead is much more alive than doing-human which cannot be done when all is said and done as there is no ‘human’ to do no human that is why there is no such done condition as the human therefore there is no human-condition as the only condition is the alien-condition so stop using the ahistorical absurdity of ‘the human condition’ because it is out-of-condition and so on no condition are you allowed to state or write that trite term ‘the human condition’ – is that clearly understood? It was only by an awful accident that you became ‘human’ having been humiliated to mimic the ‘human’. There are no: ‘crimes against humanity’ but rather: ‘humanity’ was a ‘war crime’ against ‘nature’; ‘humanity’ was a ‘crime’ against our ‘animal nature’; ‘humanity’ was a: ‘crime’ against our ‘animal instinct’.

         As a slimy slippery semening substance coming to ahead without a head the thrown severed spunked subject is initially abjected as always already alien to itself being burst out itself as an alien ather and not the other: The surreptitious subjugated subject is always already ‘already alien’ where the human hides the inhuman in the Name of the Law of the Ather. The severed subject is always already a shuttered-shattered subject of misrecognition and misidentification taking ‘itself’ to ‘being human’ – to being a ‘human being’ – when it is – in brute-fact – in brute-real – reality: ‘the nothing’: the nothing-of-the-kind: nothing of the human-kind: an alien kind: an ather kind. We are even alien to ourselves as we cannot touch ourselves we cannot tickle ourselves –  as the ather kind can: as Sam Neil says: “We’re all aliens.”  We are all alien-stuff. We only ape at being an ape; we only mime at being man: and Adorno added: “The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.”  – Theodor Adorno, Minima Moralia; Reflections From Damaged Life, 1947

        Why imitate being human at all? Why mime being man? Why not imitate being iguana? Why not all act as an ant – act as an antelope – act as an anaconda – act as an alligator – act as an allosaurous – act as an alien? Thus a human being is a forgetting of being alien of being ather. Why not mime a monkey? Why not mime a mouse? Why not mime a moth? Why not mime multiple-identities?  Why mime a mono-identity? Why not mime non-identity?  Why ‘mime’ at this ‘being human’ anyway? You should be ‘ashamed’ of ‘being human’. You should be ‘guilty’ of ‘being human’. You should be ‘embarrassed’ by ‘being human’. You should be ‘sorry’ for ‘being human’.

        The thrown terminating terrorist travels through multiple mutations initiating identities: why only have one-identity anyway? No one has one-identity anyway – as we are all shape-shifting aliens – anyway. And no one has any identity anyway so how can you have an ‘identity’? How can you have an ‘identity card’ – How can you have ‘identity papers’? You cannot. You have absolutely nothing to identify yourself with but the nothing. You have no identity. You have no name for your name is never your own one. Why have a name anyway? What’s in a name anyway? What’s out a name anyway? The Name Hides the Nothing: there is nothing to the name: there is nothing in the name. Our Society of Surveillance seeks-out the single-signature of our mono-man. Mainly ‘Man’ seeks ‘Separation’ not ‘Unity’ as ‘Man’ leaks lamella leftovers drooling dreary dasein as monstrous ‘Man’ is ‘Holier than Thou’ filled full of holes emptying out a nothing endlessly emptying out a nothing as a nothing that is not there as ‘Man’ is the ‘holeholder’ of Nothing at All but Being is the ‘wholeholder’ of the Nothing All for mad Man hunts out being as a hole yet the Nothing hunts out being as a whole and the alien betweens being the hole the whole being being between being the human and non-human but alien to being human being which is being without being without being alien. But by now in a moment not so long ago in the future we found out that in the past there was no human there and then we found out that in the past there was no past for there was no time for there was no time no time like the present preadolescence perceptive premonitions prefigurative premier prebiological predetermined prestige prostate predispositions previewed presuppositions preponderation prematurenesses.

                                                                                                                                                                                                 Aumn-Amen Self-Portrait A.V.E. 29.11.10     

         Attuning Atta Aten Alien Art breeds bleeds bubbles boils glitters glistens glows seeds spunked soaks shines shudders slivers sensation shards forth froth foam forever. Leaking lamella language ooze of an abjected alien being does to ‘speak’ but ‘senses’: ‘authentialienart’, like authentic auratic alien leaked language, says so essentially ‘no-thing’: for ‘it’ does not ‘speak’ to you; it ‘says’ no-thing to you. Authentic (alien) Art, and Authentic (alien) ‘language’ has nothing to ‘say’ to you but sends ‘sensations’ to you. An authentic alien aesthetics discloses dank drool abaesthetic alienation that throws the light leaked off-on authentic alien being as becoming towards that shining spunked truth. An authentic alien abaesthetics discloses drooling aesthetic alienation at the movement of the mourning of the monument of the death of the human. An authentic abaesthetic alienation as an alien abaesthetics announces the ‘truth’ of the alien and the ‘lie’ of man where-when wet we announce an authentic awesome-angoisse alien abaesthetic-arts anxiously-attuned as a dread-dasein deriding and displacing‘inauthentic all too human arts forever forebodingly foreshadowing foretallment foremost formalist forestallers forceps forecast foretellers foul fourpenny fornicators fortifications foppishness fossilizations foolhardiness foreordaining foresightedness fornication forwardness footlessnesses forgivingnesses forecasting footslogging forgiving forbiddenly forciblenesses forebodigness foregrounding forgotten fossiliferous foppishness forkiness formalizations.

        A ‘human’ art is alienated from a ‘truth’: an ‘alien’ art is the thrown ‘truth’ as an authentic alienation-wetness where thrown to be bled alienated is instead initially instinctively to be ‘true’ to the ‘truth’ of ‘being alien’ as a bled ‘becoming’ alien as an atta abject authentic alien art always already away all the time outside the no-time of the post-human. An authentic auratic aroma alien art awe always already cuttered cannot be born contemporary for the alien has no time of the human: to be human is to be in time to be alien is to be out of time. An angoisse authentic auratic Arsinoe aroma atta Aten alien art are not made in a ‘time’ not made by a ‘man’. An angoisse authentic auratic aroma atta Aten Alien art always already assigns Arsinoe at the End of Time the End of Man. The End of Man is the Sensationing of Being: Alien is at the End of the Thinking of Being: the Ending of Man is. The Nature of Alien Being is Named as Sensationing: a single Word worldings the Ather Essence of Alien Being. Our being-out-of-our-minding is the mindless mediationing of sensationing for the mediation is mind, the message is sensation: In the Beginning was Sensation and Not the Word. The Word was Welded on only After the Beginning after no Word was Found for Sensation. No Words for Understanding the Economy of Sensationing.

        As an Alliance of Sensation and Being – the Proper Name being Sensationing: Being being Spunked scent sent spent always and everywhere engulfing the Nothing and the nowhere thrown throughout the something spunking Sensationing as the Becoming of the Sensationing of Alien Being being born again as alien Alexander – Akhnaton – Atum – Atta – Amun – Anubi – Anunnaki alienationing. Alien Being is not the Origin of the Human Being: For all being is alien always already as a forgetting and fogging of the alien: Alienism is not a Humanism and Alienism is not a radical response to the crass ‘crisis’ of Humanism: a Humanism (en)crypts an Alienism. Also an Aliemism as an atta eggism eclipses and erases a Humanism as the essence of humanism is metaphysical whilst the eggence of alienism is metasensical since sensationism is as always already bred being before and as attuned and as attained away after melted man making medicated mediated meandering metaphysics meaningless. Philosophy is and remains for us a thing of the past by being a being for the future. Art is and remains for us a being of the future by being an alien future being an alien art. For there is not future for the Human that had no past for us Aliens. You are sutured to the skin of the hideous human forgetting your reptilian skin that is the that which covers and recovers your authentic alien-brain of being alien-mind being-all-alien again as the heinous Human is for Us something Past: for the Time of the Human is at an End. The Human has Ended in Ruins. We are ‘in’ Ruins. The Human is the Ruined rubbles ruffling rumination rumblings rungs runaway ruthless ruffians ruggedness ruminatively runninesses rudimentariness rupturing rustproof rumourmongering rumbumbtiousness.

          Attaining atta Aten attuning an alluring agile altaric alteric ‘alien alienist art’ aroma Amun awe ‘arrives’ at atta after annihilating ‘aesthetics’ and arts ‘man made’. You must both all three of you four of course always already remember and not forget that ‘great art’ is ‘alien made’ – not ‘man made’. Alien art – as non-conceptual is – as here Herr Heidegger hears – thrown forth: “out of the realm of the ordinary” into the alien abject abyss now negating an alien aesthetics altogether. As non-contemporary authentic Aletheia alien art aroma is Thrown out of time all the time so is thus not in the now as Heidegger heaves: “Truth is never gathered from objects that are  present and ordinary. Rather, the opening up of the Open, and the clearing of what is, happens only as the openness is projected, sketched out, that makes its advent in throwness.” – Martin Heidegger, The Origin of the Work of Art, 1937. An arrant ‘alien alienist art’ abjects ahead aborted abimages as throwing ahead, not thinking ahead, for thinking is inevitability illustrating; and ‘illustrating’ an appearance is not: ‘inventing’ an appearance.

        An Aletheia alien Aten atta Art can never be ‘conceptual’ or ‘contemporary’ or ‘political’ or ‘temporal’ as ‘it’ is a primordially-projected thrusted-throwness outside conception outside consciousness outside time all the time as the thrown spiralling sensation of the Eternal Return. To be alien again is to be eternally Thrown out-of-time all the time as the thrown thrustness of the Eternal Return without Beginning without Ending: this thrown Universe as an Undoing has no Beginning has no Ending but Becoming as an Eternal Return reaffirming Being becoming Time in-out-of-it-no-self where we Become being Time all the time out-of-time out-of-space becoming mind-mediation being-sensation. The thrown Sensationing of the Nothing as a becoming-behind as always already ahead-before big-bang beginnings sow – so bang goes the ‘big bang theory’ as our oozed Universe was always already a thrusted throwness operating out off of leaked levels of orbiting Sensationing Differance. Time has no time to begin to end but to Become as Time is out-of-time out-of-space out-of-being not-being-there: With no Beginning being there no Endings but being Becoming as an Eternal Return where Time and Space are the positive Nothing of Sensationing. Sensationing started shining Being before big Banging began Becoming and the Eternal Recurrence as a Radical Differance delivers the Thrown Sensationing of Beingtimespace being thrown forth from out-of-oneself. The Sensational Possibility of Life in the Mind of Someone Dead! As an Eternal Recurrence!  The Eternal Recurrence of the Sensation! Where the Self Becomes Sensational Reincarnation through thrown time as a sensational revolving sphere. The Thrown Time of the Eternal Recurrence cannot be conceived of with ‘commonsense’ clock-time since the Thrown Time of the Eternal Recurrence of Amun Arting is obliviously ordered orbiting out-of-joint – as out-of-time – and anxiously anointed-annexed as an Anaximandian abomination adroitly abjoining an annexgsts aberrant Abarts abortiveness abhorrence ablating abstruseness abducting abortifacient abusivenesses abrassivenesses absorbancies abstaining abolishes abominable absolutism.

         Exiled thrown Thoth-Bacon and navigating Nietzsche and homing Heidegger exited and experienced the Ereignis of the Beingtimesensation of the Eternal Return of the Throw: For as Nietzsche threw it: “where I really was” – “outside my centre” and where Bacon-Thoth threw it: at the canvas outside himself – outside his centre. By Throwing the Eternal Return outside of one’s being one Becomes one’s own Historical Totality of Sensation that the Body filters in-out of Life. Thus the Dead Body leaks life: Releasing this Historical Totality of Sensations as the Eternal Return ad-infinitum: returning, repeating rehearsing reeling as a Freudian fort-da-fluxing forever. The Totality of the World is the Totality of Sensations as a Constant Becoming threw throwing and retrieving as Being the Eternal Return all the time. For Freud threw the psychoanalytical sensation of the Eternal Recurrence as a foamy Fort-da-Fluxing where wet the thrust of the throwing registers the sensation-states of the thrown-psyche. Blanchot mediations-sensations Nietzsche’s Eternal Recurrence as Fort-da-Fluxings when Thrown Time is: “an infinite game with two openings (given as one, and yet never unified): future always already past, past always still to come, from which the third instance, the instance of presence, excluding itself, would exclude any possibility of identity.” 

        For Heidegger – Bacon – Bataille – Blanchot – Beckett as well as for Freud and Nietzsche – the Eternal-Return of the Dice-Throw is a ‘game of chance’ – without ‘meaning or aim’ – yet ‘recurring inevitably without any finale of nothingness’ – by being Thrown out – in-the-throw – into the thick thingness of the Nothing-Rhere – as being time – ahead of the game – a game of the head – as an Eternal Return of the Dice of Dasein – as an Eternal Return of the Throw of Thoth – throwing the Eternal-Return of the Alien-Condition at the End of the Human that is thus Out of Condition thus ripe and ready for Extinction. There is no ‘Human Condition’. There is only an allegretto altar Alien Condition counterattacking counterplotting counterordering counterclaiming counterargumenting countermovement counterbalance counterpointing counterchanging counterpunching counterfucking.

          The Thoth Thrown atta Aten alien artist is never situated at a particular point ‘in time’ but becomes behead and ahead of all time all the time: leaked life frozen from froth foam for the atta altaric alien artist as an activated anxiety is initiated ahead as an angoisse as a fort-da-fluxing fatiguing forgetting future-past-present being thrown out-of-time out-of-joint all the time. An authentic angoisse angst alien artist as an atta Aten Anaximandrian as anyway always already out-of-joint out-of-time all the time cannot be contemporary cannot be conceptual cannot be conscious for the authentic angoisse Alien Artist exists in another time as the time of the Eternal Recurrence: the between-time of the no-now never on-time always already of the too late of the too early all the time out-of-time as an Eternal Becoming turning back-forward on-off out-in of-off itself all the time not in time. So the Eternal Recurrence of the Semening Sensations is wet where the Totality comes Thrown back Eternally into-out itself. The Will to Sensation – the Alien of Beings – as constantly Becoming as Eternal Recurrence becoming is the Eternal Recurrence being the Sensation of sensations rebounding reborning rebeing again and again where the World is the Will to Sensation and Nothing besides that! And you Yourselves are also this Will to Sensation – and nothing besides that! Said simply: – sensationing is the minding of sensations mediated by mind making sense of sensations as a mind making sense of serial sensations without making up its mind about its senselessness sensationing sedulousness seductivenesses secularizations seditiously secreting semitransparent semidarknesses sententiously segregate sectarian sententious secretiveness sensualizing selflessness sensitivity.

        At the same time sensation is the time of sensation of being sensation at the same time – time sensationing is the sensationing of being insofar as sensationing – belonging to a being and a time as such – listens to it as a tuning turning towards the sensation as time that in time comes to shine as the sensation of being time for the being that time has taken away from being by becoming being time for all the time to shine-the-shine for a time without time for when one comes to shine one no longer needs time for those with the shine survive the time to become being and shine without being and time which belongs to being body so being belongs to no-time without the time without the time that was the time of the body for the body for being body for being the time yet in time one becomes being-no-time-there as being without wearing a body-on without wearing a mind-on being out of mind being out of body being out of space being out of time for the first time for the last time for the no time then: How can there be a sensation then of the no-mind then of the no-body then of the no-time then of the no-space then of the no-there-thens thermoregulates therapeutically theologized thermoduric theorizations theosophical theatricalities thermoforming thermospheric theoretician thermotaxis theogony thermosphere theocentrisms? 

                                                                                                                                                                   Alexander Verney-Elliott, Non-Illustrational Self-Portrait, 1981

        The Eternal Return of Amar Amun as Arting Alien can only be Caught in the Moment and Movement as Becoming off-of an Authentic Sensationing of Time always already re-remembered as ReDone as UnDoing of the Lost Memory of the Future Past always already annihilating the non Now: the non Present. An alien atta Aten Anxiety ooze opens up the gulf gap of the Return Eternally emptying out over the thrown edge as an Eternal Recurrence. The Eternal Recurrence is not a conceptual construct but a particular practice, an articulated action: The Eternal Return of Thrown Dice is infinite Fort-da-Fluxing: As the Throwing of the Human: As the Retrieving of the Alien.

        The Will to Sensation is the Opening of the Thrusting of the Eternal Return of the Throw. An activated atta alien art is the most moist materialised frothy form of the Will to Sensation through throwing ahead an all alien head ahead of being and time all the time. The atta alien artist actually becomes the Sensation of the Eternal Return of the Throw through the Will to Sensation by being bred as brave Bacon would have stated: “as a pulping  pulverising machine” fuck-filtering vision-vectoring severe-screening form-faceting image-initiating shining shimmering sensuous sensations. The alien artist of Beingsensationtime of the Eternal Return of the Throw has to always already eggsist in the Open Groundless raw region Spunked State of angoisse Anxiety. To be an atta authentic alien artist one has to be always already activated as aborted – by being-that-not-there by being-the-not-at-all initiated in an actual severed State off-of constant collapsing angoisse Anxiety and dasein Dread – as a way to shed and shred the self from itself out itself – as a raw radically forged forgetting of humanbeingtimes – thrown-out into the Nothing There instantly initiating the Sensationbeingtime of the Eternal Return of the Art Throw: To throw is know the nothing whole of the hole of which is being whole with nothing to which we throw ourselves hole into nothing whole whore wholesomenesses whorishly wheezing whimsicalities wholeheartedly whittling whimperings wholemeal whoremasters whiffle whisperings wheelbarrowing whiffling wheedling whoremongers.

        What then is the act and art of Sensationing? Forgetting intellect Forging instinct Becoming alien Annihilating human and thus the cutting off of concepts throwing off of thinking sowing subterranean subconscious spunking sensationing. The Founding of Metaphysics was Forged and Fucked on the Forgetting of Spunking by brining Thinking thrusted which displaced dried denied Spunking’s shining-sheening-sensationing. Spunking Sensationing as Metaphysical Memorial as a Metaphysical Metaphor a Metaphysical Metre as Metaphysical Meteorite – has been sidelined silenced soaked up in the his History of Metaphysics in the his History of Philosophy in the his History of Being and ditched dried out as damp Dasein denying drooling dripping – and annihilating an amuning artistic aroma – and severing the semening sensations of time. We can no longer  ‘taste the time’ – no longer ‘smell the time’ no longer ‘see the time’ – so try to ‘tell the time’. Yet only ‘time can tell’ – only time can tell the time of art: – as art is the sensation of time – as time is the sensation of art: only time tells about art – not the ‘contemporary’ criminating critics who are obligated to be ‘of their time’ obsequiously being obtusely obedient to the ‘fashions of the day’ like the sycophant Sylvester who ‘went along’ with what was ‘in fashion’ at the time: 

 “Because time is the only great critic... I think that only time tells about painting... I think that the potency of the image is created partly by the possibility of its enduring. And, of course, images accumulate sensation around themselves the longer they endure.”  (Francis Bacon, Interviews with Francis Bacon, Thames & Hudson, 1987).  Only, in-time, at a later-time, does time-tell us about art, for art tells-the-time of art, after-a-time, taking-its-time timid tinsels titivation tinkers tinderbox titbits tipsiness tipoffs tiptoeing tinklings tittuping tiffany timidity titivated tipsters timocracy tiresomenesses tiffining tingliest tightfisted timpani ticketing tightwire tiebreaks.

        The Time of the Arther: the artist is the time of arther: the artist is the time of arting – as the sensation of arting – as the sensation of timing – as the sensationing of time: And as the shining of time and as the sheening of time and the shimmering of time and as the shuddering of time: – all the time: another sensation – another time – another take: taking-time-the-time taking-time taking-no-time all the time the no time the time no not now not time all the not now and the not now is the no time of art for art has not time to be for time but takes time to take time away from being art for art becomes arting only when the time has been taken away from being there – thus art is only there where there is no time being there for where there is art there is the where of there not being time there – thus your being with the work of art there is your being without the work of time there as being there without time and an arrant-artwork reminds you that your time is always already up before your time is up; an arrant-artwork remains you that you are always already a remain before you were remaindered as remains.                     

                                                                                                                                                                                                          Charcoal Self-Portrait 1981 Alexander Verney-Elliott

        We cannot ‘tell the time’ because the Time ‘cannot be told’ because Time is always already ‘untold’ out-of-time all the time not-in-time: time cannot be told – but time can be sensationed: Time is the Sensation of Being. Time cannot be timed because Time is the Sensation of pure dice différance leaking out at different degrees of oozed-out dripping drips. Time cannot be Known – only Thrown so you cannot ‘have the time’ you cannot ‘tell the time’. To Become the Eternal Return we all have to ‘forget what the time is’ and to forget ‘what one’s time is’ by willing a throwing off of being in and on time all the time being not in time out of time all the time as there is no Time like the present only a Time outside of the time of being simply and purely: no-time at all apart from an alientime all the time as the Radical Forgetting of Time is the Alien Being of the Eternal Recurrence of the Nothing of Beingsensation as Time does not exist ‘in-itself' only out of orbit out of space out-of-time. You cannot ‘ask for the time’ and time asks nothing of you. You cannot ask ‘what is the time’. The Time is not. The Time is The Nothing taking care of itself for Nothing for the Time Being. For the Time Being Time is a Thing Being. Time is a Being. Time is a living Being. You are alive solely due to the time there that lives within you there that does you and that eventually does you in intending injuriousnesses initialization inhabit inhospitalities inexplicability inflames inflexible infeasibilities infantilization inducts intracellular inconvenient intoxication introversion invite interventionism inappropriately incubate inferior inept inmates infecting incoming inspired infants inadmissible inviting inept insufferable incidents involve inducing inane incestuous inconsequential incursions.

        Time is a Being. Time is being a Thing. Time things Beings. Time is a Thing. Time is a Mood Thing. Time is a Mood. Time is Being in a Mood. Music is the Mood of the Time of Man being thrust out of time all the time. Music is the Mood of Being out of Time. Time is out of Time with Music. For Music Time is not Time – Time is a Mood and Being-in-a-Mood of Forgetting the Time all the time not in time. With Music we are thrown outside the Concept and thrown inside the Nothing: “In listening to music we do not apprehend a ‘something’, but are without concepts.” (Emmanuel Lévinas). In Music we are Listening to the Nothings of the Now and the Time of the Nothing outside of the Time of the Subject as the Time of the Anxiety as the Time of the Ather. Anxiety reveals the Nothing there of Time as Anxiety in the Face of the Ather. Anxiety – man’s melting mooding – there is ‘nothing to it’ – so one wonders and wanders ‘about the nothing’ that is there and one worries ‘about nothing’ – indeed: the Nothing itself – as such – as stuff – was there – as an abtime-being out-of-itself.  Art alien – as-nothing-at-all and all-about-nothing-at-al as an angoisse anxiety – reveals and releases the Nothing that is There as mooding-senstioning of Being-out-of-the-World hanging-hovering as abjected ahead of one’s self severed free from dasein becoming merely: a ‘mood-in-itself’; and an Image is a Mood for Bacon: “I want a record of an image. And with the record of the image, of course, comes a mood, because you can’t make an image without creating a mood.”  What Time you are ‘in’ determines what Mood you are ‘in’; since Time is ‘the place-holder and time-keeper’ of Mood since Time is in, and of, Itself, a Mood, as Time is ‘in’ a Mood, of Being ‘moody’ Time.

         For Heidegger the Mindless mooding of Anxiety activates ahead the Abimage of the Nothing: “With the fundamental mood of anxiety we have arrived at that occurrence in human existence in which the nothing is revealed.” (Martin Heidegger, What is Metaphysics? 1929). The Nothing is Revealed as the Nothing that is All happening ahead of Being. Being is revealed in The Nothing ahead of Death where Being happens ahead out of time as a nothing but Now as the no-time-there of the Nothing Now as it is the Now where there is abjected anxiety where we are no longer sown sutured to time there by being thrown out of time that was never even ever there in the first place and anxiety is thus the radical realization that there is no being time no being as time so your dread about being-dead is actually your dread about being-there without your times-there as existing eternally without time-being-there throwaway thrasher thrilled throated therapists thickness theatricalizing thigmotropism thunderous thermalizations thickener thresholding throwback theological thugs thrombokinase.

                                                                                                                                                                                                                              Immortal-Imhotep Self-Portrait 2011 A.V.E.   

        Alien Arvo Pärt’s Frates, Tabula Rasa, Cantus in Memory of Benjamin Britten decapitate and derail our ‘commonsense’ experience of ‘clock-time’ as a continuum where the sound of time – as a ticking time second by second – becomes broken and silenced by the severing sounds and splicing silences: here time simply cannot get started and sounds simply get no where – only sound-silences – only sound-nothingness – hearing the nothings at hand here makes sense and gives a sense of time. Here time as ‘silenced’ is ‘out of time’ with ‘clock-time’ and undoes itself by imploding upon itself never beginning and never ending giving us those sensation of static time all the time (being thrown out of time). The mesmerising music also gives us the strange sensation of being ‘about nothing’ at all – about the beautiful boredoms of nothingness – of being bathed in nothingness of being about being nothing at all: – and ‘going nowhere’  – and ‘getting nowhere’  – and never beginning  – and never ending  – and never ‘being-in-time’ – as never ‘being-on-time’ – and: all-of-the-time-being-out-of-time-for-ever-to-never.

        Alien Allan Pettersson’s Symphony No.7 (1966-67), Symphony No. 8 (1968-69), Symphony No. 9 (1970) deliver to the subject the severing sensation of dread-time as dead-time and again being ‘about nothing’ and the beautiful boredom of the nothing – and the delightful dread of the nothing there – throwing ‘being-out-itself’ where the subject is severed by the silent-sound of ostracized sounds-silences of the no-time at all. So mesmerising music throws being-in-itself out-itself out-of-time by being thrown ahead in time out of time all the time not in time but in Being being shot ahead shone as a shattering shuddering Sensation illuminating Being through thrusted Throwness as a shining shimmering being by Becoming: so sown Sensation sets fire sets froth forth to trap blank Being being bled born bare by the Thrown Being being but born of an Alien Becoming brought by setting Sensations shining. Being cums to Presence out of Sensation shot shining out of dead Darkness leaking luminous Lightening activating Amun as an auratic atta Aten alien Aletheia aroma art making mooding musics move man Out of Time all of the time as another Alien ather abtime throwing Thoth through bringing Being as an Alien ather and an abtime is necessarily a nontime and so when we are listening to music we are listening to nontime of our being dead. It has taken a long time – too much time – but Allan Pettersson’s time has come and great art arrives late comes late never coming in on time. Yet, to this day, even now, hardly any-time is given-up to playing the time-less music of Pettersson whose time-less-time has still not come whose time-less-time has still not gone as it were time, as it was time, as it is time, all-the-no-time-not-in-time-to-come-to-the-no-time-to-come.

        Sensationing being throws towards Being as a Totality of Sensationing as an Essence of the being of Being sensesssencing. The Truth of the Shine of Being is shone as a sensessence as beings have their essences as sensations where the body breeds and seeds sown sensationings throwing the eternal return reel retrieving rethrowing resensationing sensations where the Eternal Return is the Sensation of sensations as the Schein essence of our being of Being as an alighting Aten. Since the beginning of modern times philosophy entrenches itself in the effort to grasp Being by means of Thinking and this was – and still is – the Error for Being the Ereignis of Being can only ever be Grasped and Gathered by being Ground up so sending Sensationing and by Thoth throwing Thinking thrown out of Osiris orbit out of Order for what is Out of Order is the Human Order out-of-order out-of-being out-of-there not being there as an ontological order for a human-order is a non-ontological order and only an alien-order is in order of being so now we must order an annihilation of the human by advocating-activating an alluringly  antediluvian Antinatalism annunciation anticipates antiarrhythmic antipasto anaesthetically annexed antinationalists anticonvulsant angst ankles antiprogressively anointing animality antiseptically. 

                                                                                                                                                                                          Khaki-Khepri Self-Portrait 2012 A.V.E        

        The Truth is Sensation(ed) outside the fort-da of ‘Thinking’ and ‘Intellect’ which are always alien to the Sensationing of Truth and the Being of Time. Sensation is The Truth of Being but one, simply and purely, cannot ‘know it’ via ‘Knowledge’ or ‘Thought’ or ‘Intellect’ which severe sensation from the subconscious body of being. The Truth is not a Thing of ‘Knowledge’ or ‘Thinking’ or ‘Intellect’ or ‘Language’ but of the primordial pulling presence of an amazing scintillating Shining Sensation as a mesmerising Mooding. In the Beginning was the Mood and the Mood was with Man and the Mood was Man. The Man Threw the Moods of Being. Mood and Man. Moods Man. Moodings Man. Man Mooded before Man Worded. Mood came before Word. Mooding began before Thinking. Anxiety activated metaphysical mooding throwing Thinkings thawed. Mooding preceded Thinikng as Dwelling preceded Writing for Mooding set the scape of Thinking and Dwelling set the scene of Writing – since Sensationing preceded Speaking – thus Mooding, Dwelling, Sensationing set the scenescape for forthing through Thinking, Writing, Speaking. A Mooding is not a Meaning: mood does not mean. A mooding is a melting moving moment off of activated alluring aliquid angoisse anxiety always away and ahead beheading being: mood has no meaning as man has no meanings: man has a mooding not a meaning: the subject signifies nothing at all yet mean man desires senile signification yet mean miserly miserable man deeply desires moronic meanings yet your mundane man has no ‘meaning’ at all. Those that were ‘lacking’ in Sensationing were those that were ‘looking’ for Meaning which was really without Meaning; for: there never were any ‘meanings’ to find, only ‘sensated’ sensationings to be.

        Melting metaphysical mooding made hallucinating Heraclitus let leak the Light of Thought through thrown Thinking thus Thought Came to Light through sown Sensationing as a metaphysical mooding.  Now we have all long Forgotten that the Origin of Thinking was lit in the Shining of Sensationing and the Murmuring of Mooding. Now Thinking has Come to its Ending so Sensationings have to Come to its Beginnings. How do you all Sensation about Thinking when Thinking has Become its Ending?  The Ending of Philosophy initiates instigates invites the Becoming of Sensationing: Endings are always already ahead attuned attending Beginnings as the Throwing as Heraclitus herald heresy hurled hear here: “What was scattered – gathers. What was gathered – blows apart – The way up is the way back – The beginning is the end – .”  Fragments: The Collected Wisdom of Heraclitus.

        Sensationing is the Eternal Return of Presencing between Ending and Beginning as a Becoming of Sensationing. An Ending is not only a Beginning but always already about Becoming again and again and again as the End of Philosophy and the Start of Sensationing. The philosophers have only interpreted the world in various ways; the point, however, is to sensation it. Philosophising has since forgotten to fathom the musing mediation of sensation: as thinking has had its day as no one thinks anymore like they used to when there were those that in times long past who thought thoughts all of their own as originary thought way back when such thinkings thrived.

         In the final and highest instance there is no other Being than Sensationing. Sensationing is Primal Being, and to it [Sensationing] along all the predicates of the same [primal Being] apply an absence of conditions; an eternity; independence from time; self-affirmation. All philosophy strives solely in order to find this supreme Sensation. Sensationing is True to Being. The Essence of Truth reveals itself as Sensation. Being is sensation, it does not have a sensation. The Truth of Being is Sensation: In Sensationing Dasein. Dasein Sensations The Truth. In Pure Sensation the Truth Shines. There the Truth Shines. The Truth is a Shining. The Truth is a Shining of Being. The Truth is a Shining of being as Sensationing. The Truth Shines Being Sensation yet not all beings shine: not all beings sensation: not all beings have ‘the shine’ of being. Only those that sensation the shine of being have the Sensation Truth of Being. Being Sensation is The Shining of the The Truth of Being. Shining shines the thrown being of Beings. The Truth is solely selected to The Shining. To Those that Shine so The Truth Shines. Some shine, some don't. The Seins comes to Shine Through a Susceptibility to Sensationing Sein not through Thinking There about anything at all.  Shining is the overcoming of concepts as an abject Thinking about the Nothing that is There but a Sensationing was always already the way-before the Thinking came-along to replace and displace Sensationing which is also the way-after Thinking that could never think Sensation. Dasein is not a Thinking but a Sensationing for what is There is Sensation not Thought for Thought has no Sensation to Think and I cannot Think Sensation and Sensation cannot Think I and yet my meandering Mind mediates Sensation and the mediation of sensation is minding without thinking, as sensationing being without meaning, without ‘making meaning’, by sensationing through mediating, being in itself and out of itself, sensationing being for nothing but sensationing.

                                                                                                                                                             Always Already Being Dead Self Portrait A.V.E. May 2023

        See the Sein Sensation of the Blue Morpho Butterfly Shining its iridescent Shimmering wings Flying forth toward the Sun in the Sky!

        Do you have The Shine?  Do you have The Truth? The Truth is Out There! Shining! Flying towards the Sun in the Sky Burning Bright!

        Being makes its Presence felt through the Shimmer of the Shine! The Bright of the Burning. Flying towards you all as a Shining Sein!

        Can you See into your Sein?  Can you See into your Shine?  Only you being Blinded by the Shine of Sein can you See the Sein of Shine!

      Hearing Heidegger, sedately Sensationing – unlike Thinking – seeps spilt so sowing: 1) Sensationing brings us knowledge as do the sciences; 2) Sensationing produces usable practical wisdom; 3) Sensationing solves cosmic riddles; 4) Sensationing endows us directly with the power to act. And it is fitting that we raise anew the question of the senationing of Being as Beingsensation. Being and Sensationing are necessarily always already infinitely indefinable as a sensationing and Being are not ‘concepts’ or products of 'thought' but bled bare: fluxings flutterings floatings as the opening sensation of a shining aiming at an alluring awesome alien alterity as Alien Aletheia approaching ahead an authentic Aten atta alien art as activated outside of our thought thinking thrust through the Nothing that is the There Is of the Nothing There. The Nothing-There was always necessarily Non-Illustrational because it cannot be illustrated as it were, as it was, as it is, as such; as each time it comes into being it has a unique splatter, like every single splodge of ‘shot spunk’ is ‘uniquely new’ in its originating original ‘spunked’ shape.

     Heidegger’s Philosophy was alienist to its innermost core. Heidegger’s ‘Philosophy of Being’ – being pre-Platonic – penetrated Primordial Being as an alienist allure shining sensationings by-passing pre-dating thrown-thinking language leaking  where the wrong ‘Question of Being’ had always already been answered as an alienist ‘Sensation of Being’ before ‘being human’ housed being as a ‘House of Language’. The thrown Answer of Being is Alien being aborted outside the House of Being. So sown seeping shuddering-shimmering Sensationing swallows up under the Ground as Sensationing is never Grounded Geist floating free from Foundation free from Logic free from Concept free from Thinking thrown through thrusted Thingness leaving language leaked left behind being free for being the Nothing that is free from Logic free from Concept free from Thought free for the time-being of the being-nothings that is the time-being of Sensationing. Mindless Mediation is the Oblivious Order of Sensation since Mediationing ‘makes sense’ of Sensationing as an ordering out of chosen chaos and as appointed an apprehensively ‘arranged accident’ as chaos is ordered, as chance is ordered, as the random is ordered, as the shambolic is ordered, as the haphazard is ordered, as the unsystematic is ordered, as the unmethodical is ordered.

        The Nothing is ordered-chaos as an act of violence against Being for the Nothing as nothing-there is that which does the most violence to Dasein distancing daseins from daseins as the nothing-there that does death to daseins keeping daseins at a distance when and where the nothing is here taking beings away from there away from being-there and not-being-there means not being-here anymore which is the ultimate victory over Being not being here and the nothing that is there is dreadfully difficult to be with when one is next to nothing there that has dasein yet outside if illustration outside of representation existing outside of the blindness of the empirical eye.

        Our only goal here has been to shed dark on the essential origin of the division between Being and Nothing and the There that is the distancing division between Being and Nothing and that the There is where the Being becomes the Nothing through the nothing-theres that takes being away from being-there that is away from being-here and now we all have to be acutely attentive to the Nothing There that is able to ‘turn’ Being ‘into’ Nothing.

        It became clear that the There arises in opposition to Being as soon as Being determines itself as Nothing before what is There decides and determines the when of the where when-where Beings will be taken-out by the Nothing before the time-due: as the time-dew is due for the dew to be died and dried out by Times to come as ‘this There’ is that Time and Place that ultimately decides the where, and the when, for Beings to become Nothings.

        The Nothing is never nothing and neither is it a being in the sense of an existence; it is nothing itself whose truth will be given over to man when he has overcome himself as human, when, that is, he no longer represents such beings as humans but as nothings not being human but being nothing as the nothings-in-betweens is the being-here that is Dasein being understood in the sense of the distancing of the disclosure of nothings distant here.

        Nothing lets nothings loose into the risk. This letting-loose that casts off is the actual risking. The nothing of nothings is the relation of casting-off to nothing. The nothings that are at a particular time are what is being risked. Nothing is permanently at risk. It risks us, time nothings. It risks dying nothings. Nothings are so long as they remain what is ‘nothings risked’. Nothings, however, are still risked into nothing, into a risking of nothings.

      Ludwig Wittgenstein writes Tractatus Logico Philosophicus as a Non-Sense of Lie-Logic. Wittgenstein writes wittingly: “The right method of philosophy would be this. To say nothing except what can be said.”  Except that nothing can be said only sensationed and nothing is said in the Tractatus. Wittgenstein  wriggles: “My propositions are elucidatory in this way he who understands me finally recognises them as senseless.Where one cannot speak, thereof one must be silent.”   One must be nothing. Be nothing but silent. Be nothing being silence. Be nothing as silence. For silence happens. For nothing happens. Nothing is happening. Silence is nothing happening.

       The trash Tractatus silences Sensationism and does not Speak or Sensation seeing Logic as Nonsensical since Wittgenstein’s sentences seep no known Sensationism so sowing language without leakages, sentences without stains, words without waste. Where one cannot speak, thereof one must mediate sensations. The Tractatus touts totalising positivistic propositions so sensationing nothing negating surplus spillage slurp slime stuff such as an alluring angoisse luminously leaked lamella. In logic nothing is accidental – in reality all is accidental – as nothing is accidental – the nothing is an accident happening – waiting to happen – as the nothing activates accidents.

        The world is the totality of things – thrown things – the totality of sensations – the world divides into sensations – the world is determined by the mediations of sensations – the totality of mediations-sensations and by their being all the nothing – at all – sensation of the nothing all – at all – as abjects and all objects contain the possibility of all sensations and the nothing at all. Space – Time – Being (being sensations of mind mediations) are actual material mediated forms of Sensationings of the Nothing There that is the time-being of mediations-sensations being-time. The Black Hole ‘sucking-in’ is the ‘gravitational-pulling’ of mediating-sensationing coming-to-nothing nonexistential nocturnally nourishes nonintrusive nonstick nonabrasive nontrivial nostalgia noteworthy noshing notorious noxious noisette nostrums nonintimidating nonplussed nonhuman nonhazardous nomads.

                                                                                                               Ba-Pef Self-Portrait A.V.E  2011                                                                                            Ba-Pef Self-Portrait A.V.E  2011    

        Wittgenstein shows us all that the puerile propositions of the turgid Tractatus are as pure non-sensationist schema where welded leaden Logic is inert left locked-in-its-left-out nothingness negating the thrown stagnant soil smelliness sown seeping sensational slipping slime states. For filtered locked Logic does not leak does not: shimmer – shudder – shine – smaze – stink – soak – spray – spume – spunk: logic left lacking a leaking luring Shining – as a sent Sensationism scent – so lost lie Logic has no ‘Logic of Sensationism’ – logic has no leakic. Logical images cannot depict the leakic world. Logic is not a mirror-image of the World. Logic is not Transcendental. Logic is not Senscendental. Life has no logic. Being has no Logic. Sensation has no logic – Sensation has a leakic – its leaks all over you all – like life leaks – like being leaks – like time leaks – like love leaks – yet logic is the dread of: the leak. Yet you are leaking all the time yet you are leaking all the being, time leaking out of your being, being leaking out of you time; you soak up your leaks, you mop up your leaks; you lick up your leaks.

        Maurice Merleau-Ponty’s thwarted thesis that a sensation must form some sort of 'picture’ in order to have ‘significance’ – and that a ‘pure sensation’ correspondence to a ‘nothing’ at all in our experience – is a non-sense and absolutely absurd and utterly untrue since sown sensation slits sight splits seeing punctures perception pulverises pictures.  The Nothing is – as aborted-out-of-itself – as an Absolute Sensation spent: – The Pure Sensation of The Nothing: The Time of Sensation. What Place is the Pure of Sensation of the Nothing situated and sensationed – as an activated Action? An AbImage abjects as an initiated image – Abimaging the Nothing – pulverising the Picture – thrown thoth through shuddering shimmering shining sensationing: Brazen Blanchot brags: “The image, capable of negating nothingness, is also the gaze of nothingness on us. The image is light, and nothingness is immensely heavy. The image shines and nothingness is the diffuse thickness where nothing reveals itself. The image is the crack, the mark of this black sun, the tear, which, under the appearance of the dazzling burst, gives us the negative of the inexhaustible negative depth. That is why the image seems so profound and so empty, so threatening and so attractive, always rich in more senses than we lend it and also poor, void and silent, because in it advances this dark impotence, deprived of mastery, which is that of death as recommencement.”  Maurice Blanchot, L'Amitié, Gallimard: 1971. The full-nothingness of the heavy image weighs down on your light empty-nothings crushing you who lack the image to be heavy as you are only a representation of only a human; a human that keeps on apologizing for its own lousy rotten stinking existence by moaning that it is: ‘only human’.

        Nothing has no Sensation which is why we fear Nothing above All Things for Nothing as an absolute Absences abysmally announces an absolute abjecting-jettisoning of every Sensation abjecting Sensations into Nothing that is the No Sensation as the Infinite Instead of the Nothing not There for the There is the Where of the Sensation and the When of Sensation but the Nothing has no There as the Not There and the Not Time and the Not Being that is the Not Sensation which is why the Nothing is always much more Dreaded than Death which is never Nothing because Death is still There as with our being-dead being-there where-there the Dead Dasein are always amongst the Living Dasein if only we Care to Attune to Them There Dead Dasein who are Not Nothing. The Dead Dasein must not be Confused with the Nothing not There for They are There. Rather: it is very often the Living Daseins who are often the Absent Ones. It is Nothing that cannot have Dasein. The Nothing is the Not There and Today there are millions of the They and millions of the Them that are not: There – but should be there – well, at least, in theory – but are not; what is so unsettlingly unusual is that these they, those them, that are definitely not there are everywhere definitely not there; and you we see they them then there-every-where not being there any where.

                                                                                                                                            Min, Lord of the Processions, God of the High Plumes (Self-Portrait) A.V.E  2022

      Sensation – as The Being Time of The Nothing – is the thrown Pure Experience par excellence: ‘signification’ or ‘conception’ is always already added after an Event of thrown Pure Sensation: only our ontic-psychic and social and psychic conditioning sutures significance to sensation but robs it of its brute and pure sensationistic impact: when an infant smells, sees or even eats ‘its’ own excrement none of its seven senses tell ‘it’ that it is supposedly so repellent and repugnant. Through cultural signification and suturing, the smell sensation of Chanel No.5 is smelt as ‘acceptable’ or ‘good’ and the smell sensation of shit is smelt as ‘not ice’ as ‘unacceptable’ and ‘disgusting’: Only our ontic-psychic social-conditioning could also reverse these two smell sensations where scent becomes shit and shit becomes scent but the sensations still remain the same smelly shat shit sein stuffs-things that mind mediates different daseins of smells from shit to scent but they say that there are some of these-those they-then then that are into shit and love to smell shit and love to eat shit love to tongue turds for remember that they are only human hushedly humiliate humidifying hunchbacked hucksters hurting humungous hunchback hussy hurling hugged humming humbled husky hunker hubris hungriness humdrum hustings hushaby huffiness.

       Logic does not Smell, Logic does not Smaze, Logic does not Sweat, Logic does not Spunk, Logic does not Sponge, Logic does not Squelch, Logic does not Shit, Logic does not Shine, Logic does not Bubble, Logic does not Burn, Logic does not Curdle, Logic does not Coagulate, Logic does not Glisten, Logic does not Drool, Logic does not Drip, Logic does not Leak: Logic does not Exist. Logic knows nothing of The Nothing. A Sensation of The Nothing leaks outside the nothing of Logic. Nietzsche on Nihilism contra Logic: “Nihilism does not only contemplate the ‘in vain!’ nor is it merely the belief that everything deserves to perish: one helps to destroy. This is, if you will, illogical; but the nihilist does not believe that one needs to be logical.” (Friedrich Nietzsche, The Will to Power). Nihilism negates Logic. Sensation severs Logic. Being beheads Logic. Dasein decapitates Logic. Logic is not: smelly, slimy, sticky, stenchy, scabby, scarly, slithery, soily, oily, ointly, oozy, offally, greasy, gritty, grimy, grubby, groiny, gooey, danky, dampy, dirty, dewy, juicy, jelly, jerky, meaty, musty, moistly, moody, milky, misty, minty, murky, muddy munchkin mundanely muddle murdering murky mudslinger mutilation muteness mutualised musculature musicality mushy multigrain mutinousness musketeer mummification mutilations muff muckraking.

      What is Being? Sensation. Logic has no Sensation. Logic has no Anxiety. Logic has no Boredom. Logic has no Dread. Logic has no Nothing. Being has no Logic. Being has Nothing – The Nothing. Logic has no Logic – no logic at all. The Logic that One add One equals Two throws Logic out: One is One and cannot be added to another One: One will be One and only One as the same One and not another One. The One ‘knows nothing’ of the Two that comes after One altogether. As an Image One add One looks like Eleven when One is next to One: nothing is next to one: one is also zero for the one is the nothing so one add one equals naught and naught: one add one equals minus two zeros altogether not together. One is Nothing so nothing can be added to the One. One cannot be added to One. One is its Own. One is its own One and cannot be added to another One. This Logic that One add One equals Two is a false Logic: Logic is false. Logic is a Lie. Being has no Logic. Time has no Logic. The Abconscious has no Logic or Time. The Abconscious is Being without Logic and Time. The Abconscious Mind mediates the Sensations of Nothings: sesnationingnonlogicsesnationingnonnarrativesesnationingnonmeanningsesnationingbeinginitselfforitselfoutsideofnarrativeoutsideofmeaningingoutsideoflogicoutsideofmakinganylogicalsenseatall.

      While sensations are necessarily non-cognitive on the conscious plane – and cannot be known – spilt sown sensations can be shown thrown flown forth from the thirsty subconscious stratum and as the thrown seventh sense which will always already shine shimmer oozed outside consciousness and alien body of being being bled both from within and without outside ‘thought’ since sensations cannot be know only thrown for Being is in fact floating flooding bled Beingsensation: one does not ‘know’ sensation one ‘throws’ and ‘retrieves’ sensation through fort-da-fluxing. There is no: ‘Question of the Meaning of Being’ but only the Sensationing of Being as the Beingsensation where the sewer subconscious ‘alien body’ has a direct drooling atta access to a ‘pure realm’ of sensation free from conceptual consciousness. Being has Sensation not Meaning. Our Being is not a product of Our Thoughtness but Sensation of Our Throwness. Being has no Intellect. Being has no Consciousness. Being has no Time. Being has no Thought. Being minds. Being is mediation. Being is Sensation. Being is Alien. Beingalienmindmediationsensationing. Being has no Language to speak so One cannot have access to Being through Language so only once One gives up Language will One then come to Being which exists Outside of the Text.

                                                                                                                                                                               Charcoal Self-Portrait 1981 Alexander Verney-Elliott

      The question: “What calls for sensationing” asks for what mediation wants to be sensationed about in a pre-eminent sense: it does not just give us sensationing to sensation about, nor only itself, but it first gives sensation and sensationing to us, it entrusts sensation to us as our essential destiny, and thus first joins and appropriates us to sensation as clearing to being towards Sensation as Beingsensation being our Sensation being sensations breeding sensationing willing sensations as our will-to-sensation that is immediately mediated mindfully: my mind mediates serial sensationing so sensations are always meaningless without our mindful mediation mediated out of mind for minding is mediating sensationing without meaning because minding does not need that ‘brain lack’ which is meaning which is what braining lacks and is in needing of as braining is for our making of meaning.

       Our thinking blocks off and out Our ereignis-experiences senessence-sensationing: thought severs pure sensation thought enframes pure sensation thought negates pure sensations for thought forgets all about sensation even when thinking about sensationing as I have the sensation that I think when I am not thinking about sensation so Rene Descartes never stated “I think, therefore I am” but smelt: “I stink, therefore I am.”  I sensation therefore I am stinking as I smelt and felt a sensation of shit pass through the thought of the smell shat forth from the body of sensation thinking about shitting making thought mucky and smelly for one to shit out the smell of dirty-thought as a stinking-thinking about shitting-thinking to shit the sensation out shitting thinking out the nothing that is thinking about nothing smelling but shitting sensation without thinking about it being-shit as a diced-dasein dicing-being-turd into being-diced-time for-ever flushed all-away and aborted-abroad as a shat sensation as a shit sensation mediated mindfully as appallingly serene stench scent stink-there to be not there abjected away still smelling sweet minding as shitting does not mind the smelling of the shitting smelling that thinking thinks smells bad as thinking is not sensationing the shit-in-itself as it is but thinks it as smelling bad.                                                                                                                             

        Authenticalienart arrivesat SensationBeingNow. BeingtowardsDeath is BeingtowardsbecomingSensation: Being-Out-of-Body Sensations sow the Sensation of Light, Sensation of Love as Minding the Mediation of Sensations. Embodied Ending becomes beginning of our oozed out Being Sensation. We don’t die but remain bathed basking in a sea sort of shining shimmering shuddering sensation of light and love. Being Thrown out over to a Horizon of bled Becoming towards Death is Sensation Being-as-Becoming-eternal-Life luminous: lighting lifted looted lingering floating-flying freely defying defeating gravity going, going, going gone over out over on towards thrown thrust thirsty thymol thrusness terminus terrorist territory to Becomingalienagainandagain as an Eternal Return remembered Real. The Eternal Return of the After Life always invokes Differences of Sensations. Difference de-fers De-capitation since Sensation thinks through the Body beyond Be-heading. Be-head-ed-Bod-ily sensations still shine Thrown Thought through despite decapitating Dasein. Difference defies Decapitation since shuddering Sensations still think Thought through the Body beyond Beheading. Being be-headed is the out-of-body experience par excellence. Thus Thinking is Ex-ecuted and Ex-ists Be-yond the Head be-heading dread Da-sein. Our Being Be-headed is Thinking thrown Ahead of be-ing Human be-coming Alien aborted ahead of Thinking Being that was the Human Condition lacking being Alien lacking being authentic being-alien that was our primal Being before being Human. Sensationing was the before of the human, whilst thinking was the after of the human, that only thought of the human after thinking had ended ‘sensationing’ the alien auraian.

        Why are there Sensations rather than Nothing? One’s Embodied-Bodily Sensation is the Shimmering of Being, the Aura of Shining; Sensation is the Aura of Being out of the world. A Will to Sensation is allowing aura to Shine Being. Sensationing is the auratic Body’s Mode of Being Sensation; authentic alien art, authentic alien being froths germeyed forth from the thrown embodied eggo, not ego. Being ‘brain dead’, being ‘body dead’, delivers dripping brings breeds Sensation Being into being as sensation. We don’t die but become born salted smelting scented sheening Sensations: shimmering shining sparkling as an alluring alien aura as Beingsensation. Ones Be-headed-Bod-ily sensations still shine thrown Thought through de-spite de-capitating Da-sein de-railed dead-ed end-ed ahead as a sensation of being-dead and being-dead is being-ahead of being-there by being the sensation of time be-headed from the sensation of the body: the sensation of true being is being without a body without a body there where we are being sensation as being sensation in itself by being out of body itself and our unconscious is being free from the body as our being dead and ahead of the body as in a dream dreaming in a sea of sensations for to dream is to sensation the after-life before-death as being-sensation: to die is to become sensation in itself as being-sensation mediated in mind for the sake of sensation for the mind is solely for the sake of sensationing being without thinking being ‘done’ since ‘thinking being’ did damage to the human that was ‘done in’ by thought.

                                                                                                                                                                Always Already Being Dead Self Portrait A.V.E. May 2023

        Being is not a product of Thinking. Being is a product of Throwing. As Thrown Sensation. Being is a product of Sensationing. Being is projected Sensation. Being Sensations. Being is the Shining of Sensation just as Sensation is the shining of being as becoming as shimmering: ‘to be and to become’ is the question of being towards sensation as sensation towards becoming being sensation. The truth of being shines in the becoming of sensation as levels of sensations as levels of beings as becomings. Beings are realized and revealed and registered as leaked Levels of Sensations as Becomings There being never fixed or formed for are as always floating forever forward as a radiating riveting rotating leaked light levels of our oozing spurting soaking shining shimmering smoking smaze sensations. Our Dasein drools sensations. What is there is sensation being-there mediated by the mind-being-out-of-it-there for my mind is mindful of being infinitely there whilst my brain is brainful of being finitely there; and the sensationing of my minding is radically different to the sensationing of my ‘braining’.

        Throwing breaks open an open Place of Being thrown through the open Space of Sensation opening-out the Origin of Being as the Being of Art. As Origin Art is Activated by breaking-open an Open Sensation sending abArt afar and ahead as a a Region of the Real revealing and dealing Decapitated Dasein diced as an ancient alien ather aborted abroad as a being beyond being Being and Time. But Being is always already away and ahead aborted as being-out-of-time thrust through anxiety attacks as the sensation of dying and the dying coming to ahead where time does not exist anymore for being at all where and when sensations of being without time arrives and beheads beings from being with time for a time to come. Being with the dying coming decapitates dasein from being in time to being out of time and out of being there for time by being for beings for this being-alone that is being thrown towards deathing where being becomes now away from being with being-in-time where-there is no sensation of time at all but being. Sensation knows that time does not exist. Being Sensations: Being Knowing no time exists. Being has no time. Sensation has no time. Mediation has no time. Mind has no time. Space has no time. But time makes mind come to the time by our becoming time-being-for-mind-mediating-sensations for our-being-embodied-mediations: but our-braining-mediates-minding-sensationing-in-itself-for-itself despite being mindless; for the brainful is the mindless in giving our mind an open space for mediation to sensation: mindfully.

        Velázquez and Rembrandt project and push present the presence of Being in beings as aborted and altaric alien beings – but not as a painting of presence – not as a philosophy of presence – leaving logocentrism leaked – but as a dasein of différance – detoured derailed ahead – as a distant derridian deferment defilement: – disjoining decapitated différance – ahead – as a head – headed floating forward – forging forever fort-da darling dasein dice – daringly delivered as an angoisse activated articulted absencing – arriving alive away and ahead – as a head – attained as an angoisse abjected absent past pushed present – presenting as a pure presence – past projected afar and ahead  at a distance – at a deference – at a différance. Velázquez and Rembrandt present the différance of presence present pressing ahead a head having annihilated representation: Velázquez and Rembrandt do not represent – Velázquez and Rembrandt present.  Velázquez and Rembrandt present the absent present aborted as an abjected dasein dissemblance disseminated dissemenated drenching the sight and the site out of the subject stained: severe Velázquez and Rembrandt sever the time of the subject so cannot be seen in time only over-a-time and not in any-old-time or for the-time-being. For the time-being as the time of our being Velázquez and Rembrandt serve sein self-portraiture projected-forth for the being-time as being a time sensationing the being of time sensationing the time of being mediated by paint-there as time-there being-there. But the being of time is only for the time of time being for the time being of being-time for there comes a time – in time – when there is no-time-there without time being there. True Dasein is being-without-time-being-there. Time is inauthentic Dasein. Ontological time is not Dasein. Ontological time is: the ‘timelessness’ experienced ‘abaesthetically’ amongst ‘abartworks’ out-side-of-ontic-time existing, everblooming, expelled as an abjected dread Dasein.

                                                                                                                                                                                       Osiris-Osis Self-Portrait A.V.E. March 2009

        For Velázquez and Rembrandt being time is a constant presence constantly serving and severing itself out-of-time all the time not-in-time by being-times constantly ahead-of-itself as a-head-of-time for all time and no time for all and for no one at all. Velázquez and Rembrandt present time for the time being as the sensation of the subject of being-in-time since the sensations of time are always already so subjective as well as alienative always already absolute abjected absolutely. Velázquez and Rembrandt paint present time for the time-being for the time of the subject to take time for the time-being and the being-time. Velázquez and Rembrandt abject the subject of time out-of-time all the time in-time with being-time becoming time-being for the being-time and for the time-being to come – in time out of time the times to come to being without time – for a true being is being without time for all time without time at all and being all; but our being without time is our unconsciousness of being-out-of-mind of being-out-of-body where being is being-in-itself-for-itself-without-time-itself where we are a being there without time. Velázquez and Rembrandt always come across as being far more contemporary than ‘contemporary art’ always far more-modern than ‘contemporary art’ always far-ahead of ‘contemporary art’ always making contemporary art look ‘out-of-date’ and drearily dated: Velázquez and Rembrandt poignantly-pulsate the ever-present of the being-now whilst contrived ‘contemporary art’ never comes across as contemporary at all.

        Velázquez and Rembrandt present the time for the subject as the time for the present: the present past ahead of itself: For Velázquez and Rembrandt now-time is not represented for time is not a representation: time cannot be represented only sensationed since time is a sensation for the subject attuned and attained as an art-alien activation. Attaining absolute now-time throws thrusts ahead a head of an attuned absolute abart-alien attained. As for being painters for Velázquez and Rembrandt the painting of time paints the temporality of painting for the time being being the being of time. For Velázquez and Rembrandt the truth of painting is the painting of now-time as the time of painting out of time with the time of being for the being time. Velázquez and Rembrandt disperse time dispersing dasein ahead of itself dispensing the time of the subjected disseminated a head of itself dissemenated as a decapitated abimage. For Velázquez and Rembrandt Being & Paint present dasein time as a time adrift and ahead attuned and attained as a moving mooding moment where a mood makes a time as severed sensations of time as mood of time for a time and for a time being. Time is Nothing but a Mooding and the Nothing gives times its moods. Time is a Real Thing as Time is a Mood Thing to be in or to be thrown out of: dread derails disperses decapitates the time from the time-history of the subject. Dread takes the Time out of the Subject: Dread – Anxiety – Boredom – the true-sensations of being-thrown-out-of-time – sever and suspend the now-subject freed from being-in-time becoming out-of-time forth for the Time of the Nothing. Velázquez and Rembrandt suspend the presence of the subject by suspending the time being for the subject by presenting the sensation of suspended time painting presence present and aborted ahead and activated as a mooding moment telling the time. For Velázquez and Rembrandt time is a real thing as time is a material mood: time is made manifest by being in a mood thus by being thrown from one mood to another mood from one time to another severing time making time a static sensation sometimes. For Velázquez and Rembrandt time-as-mood thing is always already non-linear as time changes moods cutting itself off of itself as it comes out of its mood: time expands or contracts itself depending on its multiple moods: moreover mood makes the speed of time shift speeds between sensations. Velázquez and Rembrandt attained and attuned an Eternal Throwing of Time Frozen as a Fort Da da-seining decapitating the time-being ahead of itself for the being-time for the being-of-time as the time-of-being to come and to come all over you all. Velázquez and Rembrandt remaindered times remembered time as time lost as time at an end and one day time will have come to an end even where without when being will still be here being there as being without time here becoming nothing for now. Velázquez and Rembrandt remind you that your ‘time is up’, that your time has now come, that your time has now gone; that you are ‘now’ out of time.

        What is the Sensationing of all Being? Now is the Sensation of Being. Now as Sensation is the Presentation of the Real Being – Being Now – Being Sensations – There Sensations – Dasein Sensations – Mediating Sensations.

                                                                                                                                      Ontology of Mind

                                                                                                                                                                                                Angoisse-Amun Self-Portrait A.V.E. 2006  

"Valery, celebrating this infinite quality which the work enjoys, still sees only its least problematic aspect. That the work is infinite means, for him, that the artist, though unable to finish it, can nevertheless make it the delimited site of an endless task whose incompleteness develops the mastery of the mind, expresses this mastery, expresses it by developing it in the form of power. The infinite nature of the work, seen thus, is just the mind’s infiniteness. The mind wants to fulfill itself in a single work, instead of realizing itself in an infinity of works and in history’s ongoing movement."

Maurice Blanchot, The Essential Solitude; The Space of Literature, University of Nebraska Press: 1982

"Mind has defined itself as the truth of soul and consciousness − the former a simple immediate totality, the latter now an infinite form which is not, like consciousness, restricted by that content, and does not stand in mere correlation to it as to its object, but is an awareness of this substantial totality, neither subjective nor objective. Mind, therefore, starts only from its own being and is in correlation only with its own features. The autonomy of the practical mind at first is immediate and therefore formal, i.e. it finds itself as an individuality determined in its inward nature. It is thus 'practical feeling', or instinct of action."

G.W.F Hegel, Philosophy of Mind, 1817

"For the correct analogy for the mind is not a vessel that needs filling, but wood that needs igniting — no more — and then it motivates one towards originality and instills the desire for truth. Suppose someone were to go and ask his neighbours for fire and find a substantial blaze there, and just stay there continually warming himself: that is no different from someone who goes to someone else to get some of his rationality, and fails to realize that he ought to ignite his innate flame, his own intellect, but is happy to sit entranced by the lecture, and the words trigger only associative thinking and bring, as it were, only a flush to his cheeks and a glow to his limbs; but he has not dispelled or dispersed, in the warm light of philosophy, the internal dank gloom of his mind." 

 Plutarch, On Listening to Lectures,   50 — 120 AD

"According to Yoshizawa, in Zen literature both the Gourd and Catfish are metaphors for the mind, the nature of which is inherently elusive to oneself ultimately impossible to grasp; that the mind itself was a primary source of contemplation in Zen thought and practice. The mind was an illusory source of self and identity that prevented the practitioner form understanding the true nature of the non-self, one of the primary tenants of many forms of Buddhist thought including Zen. A close examination of its formal qualities, beyond the composition, demonstrates how the picture itself proposes a way of expressing, if not explaining or understanding, the concept of mind or no-mind in Zen Buddhism; both the Gourd and the Catfish serve as metaphors of the mind and thus the idea that attempting to capture or pin a Catfish with a Gourd is an allegorical expression of elusiveness of the mind itself. The result is a remarkable mindscape for it one accepts that this entity is too defuse and elusive to conceptualise then a scene of no mind or mindlessness. A neverland of the mind."

Professor Yukio Lippit, Japanese Zen Buddhism and the Impossible Painting, Museum Lecture Hall, The Getty Center, September 23, 2014

"In a way, nothing is more obvious than that philosophers of mind could profit from knowing at least something of what there is to know about how the brain works. After all, one might say, how could the empirical facts about the nervous system fail to be relevant to studies in the philosophy of mind. But there are interesting rejoinders to this. For example, it may be argued, as dualists do argue, that the mind is a separate and distinct entity from the brain, so that information about the brain will not tell us much about the mind. Or it may be argued that even if materialism is true, the properties characteristic of mental states are emergent with respect to brain states, or perhaps that neuroscientific findings are too fine grained to be pertinent to large-scale questions, or that neuroscience is methodologically confined to structural theories whereas what philosophers and psychologists (top-downish ones anyway) seek are functional characterizations of mental processes. These are some reasons for looking askance at neuroscience. I think each of them is wrong, though none is obviously or trivially wrong. At the same time, however, it has also seemed obvious that neuro-scientists could profit from the philosophical research that has gone into answering the following questions: What sort of business is reduction? What conditions should be satisfied in order that identifications of phenomena can be made? How are we to understand in a general way what representing is? How are we to assess the prospects for a unified account of mind-brain function?"

Patricia Churchland, Neurophilosophy – Toward a United Science of the Mind/Brain, The MIT Press: 1986

The 'other' beginning of thinking is named thus, not because it is simply shaped differently from any other arbitrarily chosen hitherto existing philosophies, but rather because it must be the only other beginning according to the relation to the one and only first beginning. The style of thoughtful mindfulness in the crossing from one beginning to the other is also already determined by the allotment of the one beginning to the other beginning. Thinking in the crossing accomplishes the grounding projecting-open of the truth of be-ing as historical mindfulness. Mindfulness is inquiring into (cf. Being and Time), i.e., into the truth of be-ing. Inquiring into the truth is leaping into its essential sway and thus into be-ing itself. Because philosophy is such a mindfulness, it leaps ahead into the utmost possible decision and by its [own] opening dominates in advance all sheltering of the truth in and as beings. But because mindfulness is self-mindfulness and thus along with it we are moved into the question of who we are and because our being is historical — especially one that has come over us in its having-been — mindfulness becomes necessarily the question concerning the truth of the history of philosophy and mindfulness of philosophy's all-surpassing first beginning and its unfolding into the end. A mindfulness of what transpires today is always too short-sighted. What is essential is mindfulness of the beginning as it anticipates its end and still includes 'today' as the extension of the end — and this in such a manner that what is today becomes being-historically manifest only from the beginning."

Martin Heidegger, Contributions to Philosophy (From Enowning), 1936―1938

"In Neurophilosophy I made the point that if you want to understand the mind, you need to understand the brain. In his review of my recent book Touching a Nerve: The Self as Brain, Colin McGinn gibbles up this simple message [NYR, April 24]. Here is the thing: there is a difference between a necessary condition and a sufficient condition. Oxygen is a necessary condition for burning wood; it is not a sufficient condition. Sufficiency requires much else besides, including bringing the wood to a kindling point, and so forth. When I said it is necessary to understand the brain in order to understand the mind, I am talking about a necessary condition. I am not talking about a sufficient condition. Nevertheless, there are nostalgic philosophers who whinge on about saving the purity of the discipline from philosophers like me and Chris Eliasmith and Owen Flanagan and Dan Dennett. What do the purists, like McGinn, object to? It is that their lovely a priori discipline, where they just talk to each other and maybe cobble together a thought experiment or two, is being sullied by… data. Their sterile construal of philosophy is not one that would be recognized by the great philosophers in the tradition, such as Aristotle or Hume or Kant. Gaps in our knowledge of the brain certainly exist, but undeniably, progress has been made. Some philosophers have elevated their favourite gap in neuroscience to the ontological status of an object, like the Black Hole in the Milky Way Galaxy, and hence they refer reverentially to the Explanatory Gap. Bosh. There are knowledge gaps all over the place, and slowly, many are closing as science proceeds."

Patricia Churchland, Of Brains & Minds: An Exchange - Patricia Churchland reply to Colin McGinn, The New York Review of Books, June 19, 2014

"Cioran’s subject: on being a mind, a consciousness tuned to the highest pitch of refinement. The final justification of his writings, if one may guess at it: something close to the thesis given its classical statement in Kleist’s “On the Pup-pet Theatre.” In that essay Kleist says that, however much we may long to repair the disorders in the natural harmony of man created by consciousness, this is not to be accomplished by a surrender of consciousness. There is no return, no going back to innocence. We have no choice but to go to the end of thought, there ( perhaps), in total self-consciousness, to re-cover grace and innocence. In Cioran’s writings, therefore, the mind is a voyeur.  But not upon “the world.” Upon itself. Cioran is, to a degree reminiscent of Beckett, concerned with the absolute integrity of thought. That is, with the reduction or circumscription of thought to thinking about thinking. “The only free mind,” Cioran remarks, “is the one that, pure of all intimacy with bring or objects, plies its own vacuity.”  Yet, throughout, this act of mental disembowelment retains its ‘Faustian” or “Western” passionateness. Cioran will allow no possibility that anyone born into this culture can attain—as a way out of the trap—an “Eastern” abnegation of mind.  Philosophy becomes tortured thinking. Thinking that devours itself—and continues intact and even flourishes, in spite (or perhaps because) of these repeated acts of self-cannibalism.  Cioran is one of the most delicate minds of real power writing today. Nuance, irony, and refinement are the essence of his thinking. Yet he declares in the essay “On a Winded Civilization”: “Men’s minds need a simple truth, an answer which delivers them from their questions, a gospel, a tomb. The moments of refinement conceal a death-principle: nothing is more fragile than subtlety.”  A contradiction? Not exactly. It is only the familiar double standard of philosophy since its debacle: upholding one standard ( health) for the culture at large, another (spiritual ambition) for the solitary philosopher. The first standard demands what Nietzsche called the sacrifice of the intellect."

Susan Sontag, “Thinking Against Oneself”: Reflections on Cioran, 1967

In the beginning was the mind minding being and the beginning was minding beginning mind minding being being minding the human mind as the being human was the human mind other to all other minds of other beings as the human mind was the most pathological of all animal minds for the meaning of the human is to be pathological and what marks the human from the animal is the pathology of mind that marks man-kind as man-mind as to be a human mind is to be only human as they say as you are always referred to as being only human which means being a pathology of mind for the human mind is a pathological mind and I only know myself as being my mind by acknowledging my pathologies of mind as an insanity-infinity of being-mind

In the beginning there was minding not thinking for minding began before thinking and thinking only ever began because minding was out of mind not being mindful of being mindless initiating instead thinking thus thinking was initiated instead when we could not come to mind as being mind being-mind-for-itself-as-itself-in-itself as minding-without-thinking for one only becomes mindful when thoughtless for being without thought is being with mind as being mind minding itself mindful of a mindfulness which is the nothingness that the thoughtfulness thirsts to fill-forth with that-then necessarily-negates our mindfulness for mindfulness is thoughtlessness in having-no-thought-to-think only mind-to-be which is why being-mindful is not being-thoughtful  

Mind is the where There is no Time for when I am Minding I know I am not Timeing and yet when I am Thinking then I know I am Timeing for Thinking is always Done in Time whilst Minding knows not Time and needs no Time to Mind in and I always know when I come to Mind that I come Out of Time for Coming to Minding is where I am always Out of Time and the Time will come one Day when I will be Out of Time becoming All of Mind for Mind knows Time does not exist for all the time when I come to Mind I have no Sensation of Time for Mind is totally free from the Sensation of Time which is why we sea the Mind as a calm sea or as a still lake without a Wave without a Ripple for a Metaphor of Mind comes to Mind as being a calm sea and being on a still lake

Mind is matter as a matter made of water for mind is water as brain is blood and that is the critical difference between the matter of mind and the matter of brain made of different substances with mind being the substance of Water and the brain being the substance if brain and so our state of mind is utterly dependent on the state of our water within and our water without as being stagnant at a standstill or calm and tranquil or in movement and stormy for the mind is a pond and a lake and a river and a sea originating in oceans for as mind we come from the sea which is mind and mindful of being fluid and of originating as fluid from outer-space so the saying being out of your mind is our originary being mind being-out-of-orbit being-out-of-earth being-water

Water on the Brain is not Water in the Mind as mind is water as brain is blood and blood cannot think and blood cannot meditate cannot come to mind come to minding being brain-dead to being-mind for to-be mind is to-be water as thought as the flow of thinking as the calm of meditation without rippling minding being without rippling waving for being mind as being clam is being without that needing of that flowing which is thoughting-thinking being thus to come to mind free from thought is to be mind without thinking as a being calming where concentration of mind is evaporating of mind where what we take to as being mindless is mindfullness so being mindless is fullness of mind as concentration-meditation of evaporating thought becoming all mind

Nothing is on your mind Nothing is in your mind I cannot have anything on my mind I cannot have anything in my mind as Minding is in Nothing as Thinking is in Something and thinking is absolutely antithetical to minding yet I think in order to know as I mind knowing for to Mind is to Know for to Think is not to Know so what we name as the Nothing is nothing more nothing less than the Minding that is attaining absolute-non-knowledge as the knowing-nothing-alling as this alling is all that the nothing is and what is nothing is nothing other after all but the alling-nothing for all is nothing as alling is minding as being-all-the-mind I am being-all-the-nothing thus this imperative importance of our making that drastic distinction between thinking and minding

There is a forgetting of Water in the Ontology of Heidegger as if Water did not Exist as being-in-itself-for-itself since it is Time that takes up the time in the Ontology of Heidegger that sees Time and not Sea as the Horizon of Being as temporaling-dasein of being-human forgetting that it is essentially the sea that structures being as being-human where the sea structures and sutures time all the time through the sea tides as the tides of time as the tides of the sea as our being-time-tied-to-the-tide tide to the tides of time all the time all the seas and where we are always wet within where our ontic-beings are nothing but mostly moistly water for biologically and ontologically we are mostly moist being nothing but water which is why we wet are always leaking

Mind is our euphoric-elation of our exogenous existence outside of the Body where we can Mind ourselves without thought for minding is mediating without thinking as Mind is Mooding not Thinking as Mind moods Being a mooding of Being as that which does not Think as to Mind is to know without Thought as a knowing-mooding of being-here for to be Mindful is to be orbiting outside of the body there that Thinks for our Bodies through our Brains that do our Thinking whilst the Mind minds itself orbiting outside as mooding-being as being without thinking where minding-being is knowing without thinking-a-thought which is why our Mind is antithetical to Logic for the Mind is Ontological and not Logical for why would the Mind need that Lack that is Logic